Aaranya Kaandam tries to persuade Sappai to think for himself and realize that Singaperumal is using them.
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Aaranya Kaandam tries to persuade Sappai to think for himself and realize that Singaperumal is using them.
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Aaranya Kaandam gets an angry call from Gajapathy : if Pasupathy seizes Gajapathy's stuff, Gajendran will unleash a gang war.
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Aaranya Kaandam is proud of Sappai, but in a stunning twist, she shoots him dead.
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Aaranya Kaandam later gets the stash and pays Kodukapuli a fair commission.
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Aaranya Kaandam sent Sappai with the money bag to provoke Singaperumal's temper.
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Aaranya Kaandam retrieves the bag and quietly leaves the city to begin a new life.
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Aaranya Kaandam says that Sappai is a man, but all men are.
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Aaranya Kaandam got the opportunity to work with Charan, when Pushkar-Gayathri, the director duo of Oram Po, had suggested him to approach Charan, who listened to the storyline and immediately agreed to produce the film, "in a matter of time" as Kumararaja cites.
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Aaranya Kaandam cites that he wanted to make a "racy film" and wrote the climax part first, which would be the "raciest part of a film".
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Aaranya Kaandam cited that, while writing the script, he was sure that it was meant for a matured audience and not for children, "primarily because of the content".
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Aaranya Kaandam's role was written for Pooja Umashankar, keeping her in mind, who couldn't accept the offer as she had given her dates to Bala's magnum opus Naan Kadavul.
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Aaranya Kaandam appeared on many top ten or top five lists of the best films of 2011.
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