Alexandre Hogue was an American artist active from the 1930s through the 1980s.
22 Facts About Alexandre Hogue
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Alexandre Hogue was a realist painter associated with the Dallas Nine; the majority of his works focus on Southwestern United States and South Central United States landscapes during the Dust Bowl.
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In 1921, Alexandre Hogue moved to New York City to work at various advertising firms with calligraphy assignments and to study in museums.
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Alexandre Hogue traveled back to Texas every summer while in New York to sketch with Charles Franklin Reaugh until he decided to stay in Texas in 1925 to paint.
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In 1931, Alexandre Hogue began teaching art classes at the Texas State College for Women and went on to become the head of the art department at Hockaday Junior College in 1936.
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Alexandre Hogue remained in Tulsa until his death on July 22,1994.
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Alexandre Hogue claimed that his artistic style was not influenced during his time in the museums of New York City.
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Alexandre Hogue has been quoted as saying that he did not do any painting during this time to avoid the inevitable shift in personal style that comes with the analysis of other works.
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Alexandre Hogue refused to be influenced by his companions Franklin Reaugh and Ernest Blumenschein.
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Alexandre Hogue is associated with the Dallas Nine, a group that painted, drew, sculpted, and printed pieces influenced by the Southwestern United States.
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However, Alexandre Hogue used the Southwest region in a much different manner than the other members of the Dallas Nine school.
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Occasionally, Alexandre Hogue is labeled as a Regionalist; he struggled with the idea of a Texan identity, like many other citizens of the state.
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Alexandre Hogue focused primarily on natural processes as well as the world of Native Americans and their relationship with the land.
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Alexandre Hogue argues that naturalism is created in the head of the artist.
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Alexandre Hogue painted during and after the Great Depression, which greatly affected most of his works.
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Alexandre Hogue was not employed by the Works Progress Administration or Federal Art Project, unlike other artists during the Great Depression,.
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Alexandre Hogue chose to blame humans instead of evoking sympathy for them in his work.
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The tractor was a key instrument of land destruction that Alexandre Hogue believed led to the Dust Bowl and its effects.
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Alexandre Hogue utilizes texture to illustrate the state of the land in the Dust Bowl.
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Alexandre Hogue has commented that his paintings are not meant to be negative exactly, but instead to point out the benefits of preserving the land.
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Drouth Stricken Area is an example of psychoreality, in which Alexandre Hogue uses certain images to highlight the reality of the situation.
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Psychoreality distorts the realism that Alexandre Hogue was known for, yet it still got his ecocentric message across.