Antonio Stradivari was an Italian luthier and a craftsman of string instruments such as violins, cellos, guitars, violas and harps.
30 Facts About Antonio Stradivari
Antonio Stradivari's instruments are considered some of the finest ever made, and are extremely valuable collector's items.
Antonio Stradivari's ancestry consisted of notable citizens of Cremona, dating back to at least the 12th or 13th century.
The latter explanation is supported by the word Cremonensis on many of Antonio Stradivari's labels, which suggests that he was born in the city instead of merely moving back there to work.
Antonio Stradivari was born in 1644, a fact deducible from later violins.
Antonio Stradivari likely began an apprenticeship with Nicola Amati between the ages of 12 and 14, although a minor debate surrounds this fact.
However, Antonio Stradivari did not repeatedly put Amati's name on his labels, unlike many of Amati's other students.
Some researchers believe early instruments by Antonio Stradivari bear a stronger resemblance to Francesco Rugeri's work than Amati's.
An alternative theory is that Antonio Stradivari started out as a woodworker: the house he lived in from 1667 to 1680 was owned by Francesco Pescaroli, a woodcarver and inlayer.
Antonio Stradivari was later exiled, though allowed to return to Cremona many years later.
Antonio Stradivari purchased a house now known as No 1 Piazza Roma around 1680 for the sum of 7000 lire, 2000 of which he paid at the time of the purchase.
Antonio Stradivari probably worked in the loft and attic, and he stayed in this house for the rest of his life.
Antonio Stradivari was 35 at the time of the marriage.
Antonio Stradivari is buried in the Church of San Domenico.
Antonio Stradivari's will, dated 1729, counted eight living heirs, including his wife.
Antonio Stradivari's remaining two sons from his first marriage had both worked in the family shop.
Antonio Stradivari's instruments underwent no major change in the next five years, although in 1688 he began cutting a more distinct bevel and began outlining the heads of instruments in black, a quite original improvement.
Pre-1690 instruments are sometimes termed "Amatise" but this is not completely accurate; it is largely because Antonio Stradivari created many more instruments later on that people try to connect his early work with Amati's style.
Antonio Stradivari probably worked in the loft and attic, and he lived in this house for the rest of his life.
Antonio Stradivari switched to using a darker, richer varnish, as opposed to a yellower varnish similar to that used by Amati.
Antonio Stradivari continued to use this pattern until 1698, with few exceptions.
Also, most of the other major Cremonese luthiers died soon after Antonio Stradivari, putting an end to the golden period of Cremona's violin making, which lasted more than 150 years, starting with the Amatis and ending with the Cerutis.
Nicolo would usually use the forma B model for his cellos and as the quality of the output steadily declined within the family, the Antonio Stradivari models were almost abandoned in Naples.
Antonio Stradivari learned about them in Paris between 1779 and 1789 when he worked closely with Leopold Renaudin, another one of Strad's followers.
Antonio Stradivari had a great ability to imitate the original varnish and intricacy of the instrument.
The Hills Violin Shop estimates that Antonio Stradivari produced 1,116 instruments, of which 960 were violins.
Antonio Stradivari's instruments are regarded as amongst the finest bowed stringed instruments ever created, are highly prized, and are still played by professionals today.
Antonio Stradivari's violins are desired more than those of any other luthier except his contemporary, Giuseppe Guarneri del Gesu, who commands a similar respect among violinists.
On 14 October 2010, a 1697 Antonio Stradivari violin known as "The Molitor" was sold online by Tarisio Auctions for a world-record price of $3,600,000 to violinist Anne Akiko Meyers: at the time its price was the highest for any musical instrument sold at auction.
The Metropolitan Museum of Art has three Antonio Stradivari violins dated 1693,1694 and 1717.