1. Anulka Dziubinska was featured as Playboy magazine's Playmate of the Month in May 1973.
18 Facts About Anulka Dziubinska
1. 2.
Anulka Dziubinska left the public eye in 1985 when she became pregnant with her first child.
3.
Anulka Dziubinska returned to Britain in 2003 for an appearance in the documentary short Return of the Vampyres, in which she shares her memories of working on the film.
4.
Anulka Dziubinska was born in Preston, Lancashire, England, the daughter of George Dziubinski and Monica Harrison.
5.
Anulka Dziubinska's father was born in Poland and her mother in England.
6.
Anulka Dziubinska attended St John Fisher Roman Catholic School where she started acting.
7.
Anulka Dziubinska spent some time in Munich, where Pompeo Posar photographed her for the August 1972 issue of Playboy, in which she appeared in the "Girls of Munich" pictorial fully clothed save for a sheer white shirt.
8.
Anulka Dziubinska appeared as a Page Three girl, a model featured topless on the third page of the British tabloid newspaper The Sun.
9.
Anulka Dziubinska then became a professional actress and made her film debut in Vampyres.
10.
Anulka Dziubinska then played Lola Montez in Ken Russell's rock musical Lisztomania and Dawn in the comedy The Likely Lads.
11.
Anulka Dziubinska was credited as Anulka Dubinska in the latter.
12.
Anulka Dziubinska was credited as Anulka Dubinska in the latter.
13.
Anulka Dziubinska played Natasha in two episodes of the soap opera Bare Essence and Sonya Louis-Dreyfus in one episode of Falcon Crest starring Jane Wyman.
14.
Anulka Dziubinska and Japanese hairstylist Hiroshi Kitamura was born on 4 April 1948 and were married on 29 July 1985 in Los Angeles.
15.
Anulka Dziubinska stated that the minute she became pregnant she gave up acting.
16.
Anulka Dziubinska later worked for a while as maitre d' at Matsuhisa, the original Nobu Japanese restaurant on North La Cienega Boulevard in Beverly Hills.
17.
Anulka Dziubinska became the owner and head floral designer of a florist shop in Hollywood.
18.
Anulka Dziubinska received special thanks in the credits and acknowledgment for contributing still photographs to the project, in which she and Marianne Morris share their memories of working on the 1974 film.