Bell pattern is a rhythmic pattern of striking a hand-held bell or other instrument of the idiophone family, to make it emit a sound at desired intervals.
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Bell pattern is a rhythmic pattern of striking a hand-held bell or other instrument of the idiophone family, to make it emit a sound at desired intervals.
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The key Bell pattern defines the musical period; the first cell is antecedent, and the second is consequent.
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The standard Bell pattern is expressed in both a triple-pulse and a duple-pulse structure.
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Pattern 2 contains exactly the same Bell pattern of attack-points as Pattern 1, but begins on a different stroke, has a different relationship to the main beats, and therefore, is a related, but different key Bell pattern.
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The kadodo bell pattern is an embellishment of three "slow" cross-beats spanning two measures, or three-over-eight.
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Novotney states: "The African rhythmic structure which generates the standard Bell pattern is a divisive structure and not an additive one.
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Some of the Afro-Cuban rhythms that use the standard Bell pattern are: Congolese: palo, triallo; Lucumi (Yoruba): iyesa ( form), bembe, agbe; Arara (Fon): sabalu, egbado; "Haitiano" (Fon, Yoruba): vodu-rada, yanvalu, nago; the rumba form columbia.
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Bell pattern is played in a displaced position, beginning on 4a, the pulse immediately preceding beat 1.
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Pattern 2 is the baqueteo, the key Bell pattern used in danzon and the first expression of clave in written music.
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Bell pattern 1 is used in maculele and some Candomble and Macumba rhythms.
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