40 Facts About Earnest Andersson

Earnest Andersson soon became financially successful; by the end of the 1920s, the patents he was granted for various packaging machines he invented had made him a millionaire.

Earnest Andersson became an accomplished amateur athlete, race car driver, pilot, photographer, and radio operator.

Earnest Andersson's wealth connected him to influential artists, including those that he met at the Hotel des Artistes, which he had devised and where he kept a residence.

In turn, Earnest Andersson took on roles in their household as handyman, secretary, and friend.

Earnest Andersson was born Ernest DeNeen Anderson in Burr Oak, Iowa, on February 10,1878, at his family's home, known locally as "The Red Barn".

Earnest Andersson was the third of five children born to Lavina and Andrew Edward Anderson, an inventor of farm equipment who had immigrated from Odeshog, Sweden.

Earnest Andersson's family moved to Grand Forks, North Dakota, in 1882, then settled permanently in Minneapolis, Minnesota, at the end of the 1880s.

Poor health prevented Earnest Andersson from attaining any formal education beyond the fifth-grade.

Earnest Andersson reputedly memorized the English dictionary, among his youthful accomplishments.

Earnest Andersson began to compose music in 1895, by which point he believed his development had reached a level comparable to those of the composers he admired most.

Earnest Andersson added that the statement could just as well apply to him and his music.

The first recorded instance of a public performance of Earnest Andersson's music occurred in 1899 at the Minneapolis Unitarian Church, when his Three Sketches for Opera were played as part of a program that included music by Franz Liszt and Camille Saint-Saens.

In 1901, Earnest Andersson's grandfather died, which resulted in a modest inheritance.

Earnest Andersson decided to pursue a career as an inventor and moved to New York City in order to find a market for his work.

Between 1916 and 1924, Earnest Andersson applied for and was granted patents for packaging machines used for numerous products that were household names for much of the 20th century.

Earnest Andersson was on the board of directors of the Bankers Securities Corporation.

Earnest Andersson was a board member of the Hotel des Artistes, whose concept he had originally created.

Earnest Andersson kept a duplex apartment there as one of his residences and, over the next decade, subsequently purchased several more.

The New York Evening Telegram reported in 1921 that Earnest Andersson often played the Choralcelo at home and that he found "true expression of self in music".

Earnest Andersson's pastime was lampooned in a cartoon by Billy DeBeck published in 1924.

The Wall Street Crash of 1929 had significant consequences for Earnest Andersson, who was obliged to sell two of his factories.

Earnest Andersson moved to Hollywood, California, in April 1933 and established himself in a mansion located in the Outpost Estates neighborhood.

Earnest Andersson garnered a favorable reputation for his skill in the latter field.

Earnest Andersson later photographed Gary Cooper, Bing Crosby, W C Fields, Laurel and Hardy, Jeanette MacDonald, Adolphe Menjou, Will Rogers, and Rudy Vallee.

Earnest Andersson began lessons in orchestration with Max Donner, a local composer, as well as the second violinist of the Los Angeles Philharmonic, and conductor of the local WPA Federal Symphony Orchestra.

That same year, Earnest Andersson purchased a house for the couple in the Beverly Glen neighborhood.

In mid-1940, Earnest Andersson discontinued lessons with Donner, choosing instead to study with Daniele Amfitheatrof, after having been impressed with a performance of his American Panorama.

The latter concluded with a staging of the suite from The Firebird choreographed by Adolph Bolm, a common friend that Earnest Andersson had met at the Hotel des Artistes.

Earnest Andersson's wife recorded in her diary that it was a source of profound worry for him.

Earnest Andersson was among the invitees to their first party in the United States.

The Deseret News reported that Earnest Andersson's music was greeted with a "storm of applause" and that the composer was called to the stage to take a bow.

On June 23,1943, Earnest Andersson had a medical emergency at the Samples' home in Beverly Glen.

Earnest Andersson was transported to Santa Monica Hospital, where he died later that day.

In 1903, Earnest Andersson married Mary Marguerite Mead, a painter he had met at the Minneapolis Institute of Art.

Earnest Andersson later was a tenant at one of his properties.

Slim and Sample both said that Stravinsky's rejection of Earnest Andersson's talent was borne from envy, particularly at his thematic facility.

Earnest Andersson was fascinated by how Andersson had based the theme on the tones of a word he had discovered in a Chinese dictionary.

Reception to Earnest Andersson's music was more positive during his lifetime.

Earnest Andersson described the music as "a work of impressionistic character, subtly written, and with inherent feeling for orchestral color and pliability of mood".

Earnest Andersson stated in his 1972 interview that he personally esteemed Andersson as being a superior composer to Charles Ives.