35 Facts About Eduardo Darino

Eduardo Darino is a Uruguayan film producer, director, animator, and cartoonist.

Eduardo Darino participated actively in the Cine Club del Uruguay and taught himself how to make film.

When Eduardo Darino was finally able to make the trip, McLaren was sick and semi-retired.

Eduardo Darino still has the letter's closing with McLaren's signature pinned up at his desk.

Eduardo Darino wanted to work with an industry director and contacted Manuel Antin in Buenos Aires.

Eduardo Darino was to assist Pablo Szir with several of his films, designing titles or animation for El bombero esta triste y llora and Diario de campamento, and doing animation in Argentina and in Uruguay for Szir's Es un arbol y una nube and Una industria para el pueblo.

Eduardo Darino filmed and directed the feature documentary Copihues Rojos for the Consejo Nacional de Ensenanza Primaria, a co-production with Chile about teachers' exchange between the two countries, and social issues, and Orate Frates about the miraculous San Cono festivities in Florida, assisted by Eduardo Terra.

Eduardo Darino made the animated film El Gallito Luis, combining cartooning with live actors, "way before Roger Rabbit", as Peter Cowie says in the International Film Guide.

Eduardo Darino ended up assisting Lee, to get access to the stand, and animated Carioca for him for TV Globo.

Eduardo Darino was required to get a basic stand for his NYU thesis, Homomania, sound by Miguel Castro, which he started at ICUR, Uruguay.

Eduardo Darino hung around the 45th Street studios, trying to get a first look at the new technology, and was captivated by the possibilities of motion graphics, a subject he still teaches at Pratt Institute.

Eduardo Darino needed more space, and to lend him money to buy a loft the banks were asking for proof he had "a real job".

Eduardo Darino was hired as creative director at World Publishing Co.

Eduardo Darino's child Lucia was born, and Darino concentrated on animation for children, with The Bird, The Fox and the Full Moon and many others.

Eduardo Darino was encouraged to produce material by his distributor Bernice Coe, since HBO and BRAVO were buying shorts as there were no commercials at that point.

DC Comics sponsored an American Lung Association PR campaign with a "Superman kit", and Eduardo Darino was chosen to design and animate the cartoon superhero.

The producers wanted the animation done in Asia, but Eduardo Darino insisted it could be done in New York, implementing sensible budget-cutting ideas.

Eduardo Darino made an offer, bought the Master Series animation stand, and ordered the first Cameraman computer system from Bill Ferster.

Eduardo Darino produced Carousel, Tango and Kaleidoscope, the first animations using copiers with the CopyMotion system, developed by Darino, which he registered in August 1997.

Eduardo Darino produced other animated films: Doble o Nada, Setenta veces siete, La Carreta, Gaucho al galope, Rafa-Javi, and Gaviotas-Seagulls based on drawings by his grandsons Rafel and Javier in Punta del Este.

One day Mallimo had a cold and sent his art director, who learned about Eduardo Darino's expertise, liked his work, and asked him to create a star field for a teaser of Star Trek.

Eduardo Darino declined Pixar's offer, preferring to stay in New York.

Eduardo Darino signed two series for children, Man the Maker, about inventions, and Forgotten Legends.

At that time Eduardo Darino was combining the pencil with the digital tablet.

Eduardo Darino directed The Strangers for the US Bicentennial, Poison on the Walls for the NY City Health Department, and Antonio Frasconi: Against the Grain, which won an award at the Santa Barbara Film Festival, and Los Desaparecidos, which included woodcuts by Antonio Frasconi.

Alfredo Zitarrosa, Serebrier, Julio Alpui, Julian Murguia, and Eduardo Darino, discussed a return to democracy in Uruguay and proposed action to show active support for Dr Julio Maria Sanguinetti.

Goyen interested Robert Allen, who backed a package of three titles suggested by Coe Films for HBO, and Darino prepared the docudrama Guri, the Young Gaucho, starring Eli Wallach from a story by Serafin J Garcia.

When Eduardo Darino arrived on location, the expected return to democracy was delayed.

Eduardo Darino canceled the other two titles, and abandoned his plans to produce in his homeland.

Eduardo Darino was the editor of over 300 episodes and French versions for the weekly show Hollywood Stars.

Eduardo Darino combined graphics, split the screen, and included negative-positive footage.

The years for Satcom Digital Libraries show Eduardo Darino working as producer-director, and in many episodes editor-animator, of multiple television series and documentaries :.

Camba Cate writes on Proyecto Cruz del Sur that Eduardo Darino is one of the few artists who keeps up-to-date with technological changes on a daily basis, mastering film, then video and now computers.

Eduardo Darino experimented with interactive presentations, the most original being the series Irreverent Realities, and with intrusive flashes in public spaces, such as Times Square, Union Square Park, Washington Square, celebrating the anniversaries of artists' deaths, including Pedro Figari, Alfredo Zitarrosa, Juan Carlos Onetti and others.

Eduardo Darino is a member of the following associations:.