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13 Facts About Gail Tremblay

1.

Gail Tremblay was an American writer and artist from Washington State.

2.

Gail Tremblay is known for weaving baskets from film footage that depicts Native American people, such as Western movies and anthropological documentaries.

3.

Gail Tremblay received a Washington State Governor's Arts and Heritage Award in 2001.

4.

Gail Tremblay claimed her father was of Mi'kmaq and Onondaga ancestry, and that her great-grandfather once lived in Kahnawake near Montreal.

5.

Gail Tremblay never offered any documentation of this and the US Department of the Interior's Indian Arts and Crafts Board determined that she was not Indigenous after a thorough investigation of her claims.

6.

Gail Tremblay's father was Roland G Tremblay, who was born in Somersworth, New Hampshire, to Peter Tremblay and Bernadette Demers Tremblay.

7.

Gail Tremblay received her BA in theater in 1967 from the University of New Hampshire and an MFA in English from the University of Oregon, Eugene in 1969.

8.

Gail Tremblay was a faculty member at The Evergreen State College in Olympia, Washington and taught courses in English, art history, and Native American studies.

9.

Gail Tremblay began her faculty appointment at Evergreen in 1980 and taught her last class in 2018 in the newly finished fiber studio at the Longhouse.

10.

Gail Tremblay wrote exhibition catalog essays about other artists, including, "Speaking in a Language of Vital Signs," for the 2008 exhibition catalogue, Joe Feddersen: Vital Signs at the Hallie Ford Museum of Art at Willamette University.

11.

Gail Tremblay described her work as combining historical Native American techniques and materials with mainstream artistic expression.

12.

Gail Tremblay says she learned basketry from her aunts, but "update[d] them for a contemporary audience" through the use of modern materials such as film stock and film leader.

13.

Gail Tremblay created a basket using red and white film leader entitled, And Then There's the Business of Fancydancing, inspired by Sherman Alexie's film, The Business of Fancydancing, in which the main character, a Spokane man, is lovers with a white man.