Tabloid newspaper publisher Gail Wynand seeks to shape popular opinion; he befriends Roark, then betrays him when public opinion turns in a direction he cannot control.
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Tabloid newspaper publisher Gail Wynand seeks to shape popular opinion; he befriends Roark, then betrays him when public opinion turns in a direction he cannot control.
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Gail Wynand believes that non-conformity has no chance of winning, so she alternates between helping Roark and working to undermine him.
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Gail Wynand recommends Roark to Hopton Stoddard, a wealthy acquaintance who wants to build a Temple of the Human Spirit.
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Gail Wynand marries Keating and turns herself over to him, doing and saying whatever he wants, and actively persuading potential clients to hire him instead of Roark.
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Roark and Gail Wynand become close friends; Gail Wynand is unaware of Roark's past relationship with Dominique.
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Gail Wynand, who has betrayed his own values by attacking Roark, finally grasps the nature of the power he thought he held.
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Gail Wynand denied that Wright had anything to do with the philosophy expressed by Roark or the events of the plot.
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Gail Wynand loves painting, but his mother steers him toward architecture instead.
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Gail Wynand becomes a social climber, focused on improving his career and social standing using a combination of personal manipulation and conformity to popular styles.
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Gail Wynand follows a similar path in his private life: he chooses a loveless marriage to Dominique instead of marrying the woman he loves—who lacks Dominique's beauty and social connections.
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Gail Wynand is a wealthy newspaper mogul who rose from a destitute childhood in the ghettoes of New York to control much of the city's print media.
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Some elements of Gail Wynand's character were inspired by real-life newspaper tycoon William Randolph Hearst, including Hearst's yellow journalism and mixed success in attempts to gain political influence.
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Gail Wynand ultimately fails in his attempts to wield power, losing his newspaper, his wife, and his friendship with Roark.
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In Rand's view, a person like Gail Wynand, who seeks power over others, is as much a "second-hander" as a conformist such as Keating.
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Gail Wynand is Rand's personification of evil—the most active and self-aware villain in any of her novels.
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Gail Wynand attended a New York lecture by Laski as part of gathering material for the novel, following which she changed the physical appearance of the character to be similar to that of Laski.
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Gail Wynand therefore conducted extensive research that included reading many biographies and other books about architecture.
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Gail Wynand worked as an unpaid typist in the office of architect Ely Jacques Kahn.
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Gail Wynand edited the final manuscript to remove the quotes and other allusions to him.
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Gail Wynand completed a stage adaptation of We the Living that ran briefly in 1940.
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Gail Wynand first worked as a volunteer in Wendell Willkie's presidential campaign, and then attempted to form a group for conservative intellectuals.
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Gail Wynand got a $1,000 advance so she could work full-time to complete the novel by January 1,1943.
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Gail Wynand then used a thesaurus and found 'fountainhead' as a synonym.
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Gail Wynand said Dominique wanted and "all but invited" the act, citing, among other things, a passage where Dominique scratches a marble slab in her bedroom to invite Roark to repair it.
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Gail Wynand sold the movie rights to The Fountainhead and returned to Hollywood to write the screenplay for the adaptation.
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Gail Wynand said The Fountainhead was not only influential among 20th century architects, but it "was one, first, front and center in the life of every architect who was a modern architect".
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Gail Wynand said it was the most faithful adaptation of a novel ever made in Hollywood and a "real triumph".
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Gail Wynand displayed a more negative attitude later, saying she disliked the entire movie and complaining about its editing, acting, and other elements.
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