Graham technique has been called the "cornerstone" of American modern dance, and has been taught worldwide.
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Graham technique has been called the "cornerstone" of American modern dance, and has been taught worldwide.
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Graham technique is based on the opposition between contraction and release, a concept based on the breathing cycle which has become a "trademark" of modern dance forms.
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Graham technique is known for its unique dramatic and expressive qualities and distinctive floorwork; dance critic Anna Kisselgoff described it as "powerful, dynamic, jagged and filled with tension".
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Phrase "Graham technique" was registered as a trademark before Graham's death, and was the subject of a trademark dispute in the early 2000s.
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Graham technique is based on "contraction and release", and uses different parts of the body in opposition to one another to create spirals for dramatic tension.
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Fundamental movement of Graham technique is the cycle between "contraction" and subsequent "release", which developed as a stylized representation of breathing.
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Indexical meaning of the contraction in Graham technique's choreography is generally that the dancer is overcome with emotion, although the details depend on the specific context.
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Graham technique falls use contractions and manipulates the body's center of gravity, in order to control the timing and direction of a fall.
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Graham technique falls can be used for dramatic effect, making meaning in a choreographic context from manipulating the balance between actively suspending the body and surrendering to gravity.
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Graham technique is designed to make its dancers expressive and dramatic.
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In contrast, Graham technique was strongly promoted by dance critic John Martin, who helped her to win a popular following.
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Graham technique dancers are trained to highlight their effort and use weight as a dramatic tool, while ballet dancers strive to appear weightless and effortless.
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Graham technique is taught in most university dance programs, and remains the "hallmark" style of contemporary concert dance; its movement vocabulary is familiar to almost all professional contemporary dancers.
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Martha Graham technique founded a school, the Martha Graham technique Center of Contemporary Dance, which she sold in 1956.
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