13 Facts About Hypnagogic pop

Hypnagogic pop is pop or psychedelic music that evokes cultural memory and nostalgia for the popular entertainment of the past (principally the 1980s).

Hypnagogic pop evolved into vaporwave, with which it is sometimes conflated.

Hypnagogic pop is pop or psychedelic music that draws heavily from the popular music and culture of the 1980s – ranging from the 1970s to the early 1990s.

Hypnagogic pop observed that their music drew from "the collective unconscious of late 1980s and early 1990s popular culture" while being "indebted stylistically to various traditions of experimentalism such as noise, drone, repetition, and improvisation.

Later, the term "hauntology" was described as a British synonym for hypnagogic pop, while hypnagogic pop was described as an "American cousin" to Britain's hauntological music scene,.

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Hypnagogic pop identified Pink and the Skaters as the "godparents of hypnagogic", but singled out Pink as the central figure to what he calls the "Altered Zones Generation", an umbrella term he designed for lo-fi, retro-inspired indie artists who were commonly featured on Altered Zones, an associate site for Pitchfork.

Complex contributor Joe Price felt that the h-Hypnagogic pop movement was "birthed" by Ferraro and "the vastly overlooked [Missouri artist] 18 Carat Affair".

Hypnagogic pop added: "Other key hypnagogues such as Matrix Metals and Rangers reside elsewhere but seem SoCal in spirit.

Hypnagogic pop identified other progenitors to be DJ Screw, "retro kids", Joe Wenderoth, Autre Ne Veut, Church In Moon and DJ Dog Dick.

Hypnagogic pop referred to a developing trend of 2000s lo-fi and post-noise music in which artists began to engage with elements of cultural nostalgia, childhood memory, and outdated recording technology.

Hypnagogic pop alternately summarized hypnagogic pop as "pop music refracted through the memory of a memory" and as "1980's-inspired psychedelia" that engages with capitalist detritus of the past in an attempt to "dream of the future.

Hypnagogic pop remarked of "a special place in hell" for those who attempt to separate the three genres: "it's a back room where Satan forever explains the differences between death metal, black metal and doom metal.

On websites such as Drowned in Sound, Dummy Mag, and Electronic Beats, hauntology and hypnagogic pop were ultimately supplanted by an interest in post-Internet artists.