Jacob Huysmans became a feted court painter and attracted the patronage of the Portuguese born queen Catherine of Braganza, a Catholic like himself, of whom he painted several portraits.
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Jacob Huysmans became a feted court painter and attracted the patronage of the Portuguese born queen Catherine of Braganza, a Catholic like himself, of whom he painted several portraits.
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Jacob Huysmans trained in Antwerp and was a pupil of the history painters Gillis Backereel and Frans Wouters.
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Jacob Huysmans moved to England, according to some sources before the Restoration in 1660.
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Jacob Huysmans subsequently was able to establish himself as a portrait painter at the court of Charles II.
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Jacob Huysmans died in Jermyn Street, London, in 1696, and was buried in St James's Church in Piccadilly, a church for which he had painted an altarpiece in the chapel of the Queen.
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Jacob Huysmans' style has been described as exuberant, a quality that made it particularly appealing to the Portuguese-born Queen Catherine.
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Jacob Huysmans's palette is characterized by the use of high-keyed colours, reddish lights in the flesh tones, and a smooth, glossy finish.
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Jacob Huysmans was particularly skilled in rendering the rich colours and textures of sumptuous clothes worn at the court.
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Jacob Huysmans liked showing the interplay of light, colour and contrasting textures, crumpled satin against porcelain skin or glossy ringlets interwoven with jewel-like flowers.
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Jacob Huysmans had a preference for depicting his sitters in costume and with props placed in theatrical settings and including allegorical symbols.
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Jacob Huysmans painted many of his female sitters as shepherdesses with clothing embellished with embroidery and jewellery.
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Jacob Huysmans often depicted female sitters as religious or classical figures.
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One of the most important patrons of Jacob Huysmans was Queen Catherine of whom he painted many portraits.
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The quantity of portraits Jacob Huysmans painted of the Queen and her maids of honour suggest that he was her principal painter.
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