32 Facts About Jules Michelet

Jules Michelet is best known for his multivolume work, Histoire de France.

Jules Michelet drew inspiration from Vico's concept of the "", or the cyclical nature of history, in which societies rise and fall in a recurring pattern.

In, Jules Michelet coined the term Renaissance as a period in Europe's cultural history that reflected a clear break away from the Middle Ages.

Jules Michelet thereby became the first historian to use and define the French translation of the term, Renaissance, as the label for the post-Medieval era in Europe's cultural history that followed the Middle Ages.

Jules Michelet's father was a master printer and Jules Michelet would assist him with his work.

Jules Michelet passed the university examination in 1821, and was appointed to a professorship of history in the College Rollin.

Jules Michelet had many patrons, including Abel-Francois Villemain, Victor Cousin, and others.

Jules Michelet was an ardent politician, as well as a man of letters and a history scholar.

Jules Michelet published an important overview of modern history in 1827 entitled Precis d'histoire moderne.

Jules Michelet obtained a place in the Record Office and a deputy-professorship under the historian Guizot in the literary faculty of the University of France.

Jules Michelet published numerous other books, such as the, the, the, and somewhat later, the.

In 1838, Jules Michelet's studies had reinforced his natural aversion to the principles of authority and ecclesiasticism.

Jules Michelet published Histoire Romaine in 1839, the same year his first wife died.

Jules Michelet was a natural history writer and memoirist, and had republican sympathies.

Jules Michelet had been a teacher in Saint Petersburg before their extensive correspondence led to marriage.

Jules Michelet openly acknowledged this, although she was never given credit in his works.

Jules Michelet continued to publish similar works every 12 months for around five to six years: the next was La Femme.

In, the last of the natural history series, Jules Michelet uses the staccato style, which creates short and disjointed sentences, but creates tension.

Contemporary critics disliked the book, saying it highlighted Jules Michelet's decreasing capability to express himself.

Jules Michelet's was edited by Emile Faguet in 1890 and a second edition was printed in 1900.

In 1867, Jules Michelet completed his magnum opus, the, comprising 19 volumes.

Jules Michelet abhorred the Middle Ages and celebrated their end as a radical transformation.

Jules Michelet attempted to clarify how a lively Renaissance could originate from an ossified medieval culture.

Jules Michelet had several themes running throughout his works, which included the following three categories: maleficent, beneficent, and paired.

Jules Michelet additionally used union and unity often in his discussions about history, both human and natural.

Jules Michelet was perhaps the first historian to devote himself to anything resembling a picturesque history of the Middle Ages and his account is still one of the most vivid that exists.

Jules Michelet spent extensive time researching printed authorities and manuscripts for his Histoire de France, however his many personal biases reduced the book's objectivity.

Jules Michelet gave certain parts of history more weight than others, however his insistence that history should concentrate on "the people, and not only its leaders or its institutions", was unique in historical scholarship at the time.

Jules Michelet did not live to carry it further than the Battle of Waterloo, and his health was beginning to fail: he opened the 19th volume with the words "".

Jules Michelet's second wife had been a teacher in St Petersburg and was an author in the field of natural history and memoirs.

Jules Michelet had opened a correspondence with him arising from her ardent admiration of his ideas that ensued for years.

Jules Michelet accorded Athenais literary rights to his books and papers before he died, acknowledging the significant role she had in what he published during his later years.