Jungian archetypes are defined as universal, primal symbols and images that derive from the collective unconscious, as proposed by Carl Jung.
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Jungian archetypes are defined as universal, primal symbols and images that derive from the collective unconscious, as proposed by Carl Jung.
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Jung was a psychiatrist and intended for Jungian archetypes to be a tool in psychiatry, to understand people and their drives better.
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However, Jungian archetypes saw little uptake within the discipline, and few modern psychiatrists consider them relevant.
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Jung's idea of Jungian archetypes was based on Immanuel Kant's categories, Plato's Ideas, and Arthur Schopenhauer's prototypes.
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For Wilber, these forms are actual or real Jungian archetypes and emerged from the Emptiness or the fundamental state of reality.
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The persona, anima and animas, the shadow, and the self are four of the Jungian archetypes that fall under the separate systems of the personality.
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Any attempt to give an exhaustive list of the Jungian archetypes would be a futile exercise since they tend to combine with each other and interchange qualities, making it difficult to decide where one archetype stops and another begins.
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In clarifying the contentious statement that fish Jungian archetypes are universal, Anthony Stevens explains that the archetype-as-such is at once an innate predisposition to form such an image and a preparation to encounter and respond appropriately to the creature per se.
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The Jungian archetypes are components of the collective unconscious and serve to organize, direct and inform human thought and behaviour.
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Langs' use of Jungian archetypes particularly pertains to issues associated with death anxiety, which Langs takes to be the root of psychic conflict.
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Archetypal literary criticism argues that Jungian archetypes determine the form and function of literary works, and therefore, that a text's meaning is shaped by cultural and psychological myths.
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Many Jungian archetypes have been used in treatment of psychological illnesses.
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Characters embodying Jungian archetypes traits have additionally been observed in various works after classical antiquity in societies such as the various nations of Europe after the fall of the Roman Empire as well as the Celtic cultures of the British Isles.
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Specifically, scholar Robert Eisner has argued that the anima concept within Jungian archetypes thought exists in prototype form within the goddess characters in said stories.
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Jungian archetypes have additionally been cited as inflecting notions of what appears "cool", particularly in terms of youth culture.
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Twelve Jungian archetypes have been proposed for use with branding: Sage, Innocent, Explorer, Ruler, Creator, Caregiver, Magician, Hero, Outlaw, Lover, Jester, and Regular Person.
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Some modern critics state that Jungian archetypes reduce cultural expressions to generic decontextualized concepts, stripped bare of their unique cultural context, reducing a complex reality into something "simple and easy to grasp".
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