Noise music is a genre of music that is characterised by the expressive use of noise within a musical context.
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Noise music is a genre of music that is characterised by the expressive use of noise within a musical context.
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Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect.
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Contemporary noise music is often associated with extreme volume and distortion.
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Noise music indicates that noise in music is a predictor of social change and demonstrates how noise acts as the subconscious of society—validating and testing new social and political realities.
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Russolo found traditional melodic music confining and envisioned noise music as its future replacement.
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Noise music designed and constructed a number of noise-generating devices called intonarumori and assembled a noise orchestra to perform with them.
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The 1921 made phonograph with works entitled Corale and Serenata, combined conventional orchestral music set against the famous noise machines and is the only surviving sound recording.
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Noise music's aim was to capture and control elements of the sonic environment and employ a method of sound organisation, a term borrowed from Varese, to bring meaning to the sound materials.
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In 1957, Edgard Varese created on tape an extended piece of electronic music using noises created by scraping, thumping and blowing titled Poeme electronique.
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Around the same time, the first postmodern wave of industrial noise music appeared with The Pop Group, Throbbing Gristle, Cabaret Voltaire, and NON.
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