27 Facts About Paul Newham

Paul Newham is cited by peers as a pioneer in recognition of his original contribution to the expressive therapies.

Therefore, Paul Newham developed techniques that helped his clients understand the seemingly wordless nature of their distressing experience and express it through artistic mediums, including dance, music, and drama.

Paul Newham is one among hundreds of children conceived through the artificial insemination of Wiesner's sperm, facilitated by his wife, Doctor Mary Barton, an obstetrician who founded one of the first private fertility clinics, which operated in London from the 1940s until its closure in 1967.

Paul Newham grew up falsely believing that his mother's abusive husband, Derek Joseph Paul Newham, was his biological father.

Paul Newham frequently attempted to discern the subject of violent arguments between them as he listened in his bedroom, where only the timbre of their voices, including shouts, screams, and crying, was perceptible.

Paul Newham originally trained in Stanislavski's system of method acting at the Drama Centre in London, where he studied the analytical psychology of Carl Jung and the movement analysis of Rudolf Laban under the tutelage of Yat Malmgren.

Paul Newham subsequently trained at Dartington College of Arts, where he studied Authentic Movement with Mary Fulkerson, contact improvisation with Steve Paxton, and cultural psychology with Anne Kilcoyne before pursuing post-graduate research at the universities of Warwick and Exeter.

Paul Newham subsequently began teaching others, acting as both a singing teacher and psychotherapist, seeking to combine the principles of both disciplines.

Paul Newham empathised with Wolfsohn's post-war trauma, having been traumatised by the sounds of violent arguing between his mother and Derek Paul Newham while growing up.

Paul Newham initially investigated how different types of recorded sound, including spoken words, music, and ambient noise, can affect a listener, potentially precipitating a range of responses, including relaxation, hypnagogia, and experiences comparable to those reportedly achieved through meditation.

Paul Newham became particularly interested in the extensive range of vocal qualities that many indigenous peoples demonstrated.

Paul Newham began his research collaborating with Otorhinolaryngologist D Garfield Davies at the Institute of Laryngology and Otology and School of Audiology allied to the Royal National Throat, Nose and Ear Hospital in London, now part of the UCL Ear Institute.

Paul Newham then subjected these recordings to analysis, associating specific perceptual qualities, such as pitch, breathiness, and nasality, with correlating articulations of the vocal tract.

Paul Newham began the practical application of his research while teaching young adults with special educational needs, including those with physical, learning, and developmental disabilities who could not articulate vocal sounds into intelligible speech, some of whom were members of Libra Theatre.

Paul Newham aligned his initial approach to psychotherapy with the principles of analytical psychology developed by Swiss psychiatrist and psychoanalyst Carl Jung, who had previously inspired Alfred Wolfsohn.

Paul Newham specifically encouraged his clients to use vocal sounds to engage what Jung called 'active imagination'.

Paul Newham developed this technique by enabling his clients to vocalise mental imagery through a broad range of sounds, including those they perceived as cacophonous and repulsive, which he interpreted as audible expressions of their shadow.

Paul Newham subsequently encouraged his clients to express these feelings through nonverbal sounds of crying and calling.

Paul Newham concurred with theories drawn from psychoanalysis and developmental psychology, which propose that verbal and nonverbal components of maternal vocal communication contribute to the bonding between a mother and her baby while influencing the quality of attachment to her that the infant develops.

Paul Newham further developed a framework of practical techniques that enabled clients in group therapy to recreate this communication and subject their enactments to analysis.

In developing techniques to facilitate this opportunity, Paul Newham situated his work within the paradigm of expressive therapy, which uses mediums of artistic creativity to investigate characteristics of subjective experience.

Paul Newham began his work in the expressive therapies by facilitating dramatised vocal characterisations through which clients discovered how changing vocal qualities modified their perceived identity, personality, and self-image.

Paul Newham observed that this often precipitated expression of intense feelings preceded by acute anxiety.

Paul Newham discovered that musicalising the monologues recited by his clients significantly contributed to the process of simultaneously expressing and regulating the feelings evoked by them.

Paul Newham has composed and performed a range of works demonstrating the effect that sound, specifically the human voice, has on a listener.

The principles and methods developed by Paul Newham have been incorporated into professional practice by a diverse range of practitioners including psychotherapists, speech and language therapists, drama therapists, music therapists, and dance movement therapists.

Paul Newham is particularly recognised as a pioneer for his contribution to the expressive therapies.