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16 Facts About Piero Fornasetti

facts about piero fornasetti.html1.

Piero Fornasetti was an Italian artist and designer.

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Piero Fornasetti's oeuvre, spanning over 13,000 works, displayed a wide range of objects and furniture with a unique emphasis on decorative diversity.

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Piero Fornasetti's enduring impact continues through the work of his son Barnaba and admirers worldwide.

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Piero Fornasetti was born in 1913 into a well-off middle-class family in Milan.

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Piero Fornasetti constantly sought reproducibility in series in his works, explaining this choice in terms of democratic and technical principles.

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Piero Fornasetti spent his childhood in the apartment building built by his father Pietro, in the Citta Studi district, where at the time the city ended and the fields began.

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The first child in a wealthy bourgeois family, he found himself facing a seemingly predetermined future: his father, an entrepreneur, had decided that Piero Fornasetti would follow in his footsteps, taking on the family business.

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Lina Cavalieri
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Contrary to family expectations, Piero Fornasetti displayed an innate artistic inclination.

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Together with his penchant for drawing, Piero Fornasetti soon revealed his tough, determined character, demonstrating his resolve to pursue his aspiration.

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Piero Fornasetti then moved on to the Higher School of Applied Arts in Industry at the Castello Sforzesco, in Milan, where he completed his schooling.

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Thanks to the experience he had acquired and his passion for printing, from the 1940s onwards Piero Fornasetti created a series of limited edition graphic works.

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In 1952 Piero Fornasetti began working on what would later become his most famous and iconic series: "Tema e Variazioni".

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At that time, Lina Cavalieri represented an archetype of enigmatic, classical beauty that Piero Fornasetti reinterpreted by means of over 400 "variations".

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Piero Fornasetti struggled to align himself with the new logic of the market and industrial production.

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The difficulties encountered in this period led to a cooling in relations with Ponti, who reproached Piero Fornasetti for being unable to reinvent himself.

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Piero Fornasetti's style is full of theatricality, an invitation to the imagination, trying to push those who observe his objects, as well as those who use them, to take a journey of the mind.