Pro Tools is a digital audio workstation developed and released by Avid Technology for Microsoft Windows and macOS.
FactSnippet No. 851,439 |
Pro Tools is a digital audio workstation developed and released by Avid Technology for Microsoft Windows and macOS.
FactSnippet No. 851,439 |
Pro Tools operates both as standalone software and in conjunction with a range of external analog-to-digital converters and PCIe cards with on-board digital signal processors .
FactSnippet No. 851,440 |
Pro Tools has incorporated video editing capabilities, so users can import and manipulate high-definition video file formats such as XDCAM, MJPG-A, PhotoJPG, DV25, QuickTime, and more.
FactSnippet No. 851,441 |
Pro Tools was developed by UC Berkeley graduates Evan Brooks, who majored in electrical engineering and computer science, and Peter Gotcher.
FactSnippet No. 851,442 |
Sound Pro Tools was bundled with Sound Designer II software, which was, at this time, a simple mono or stereo audio editor running on Mac SE or Mac II; digital audio acquisition from DAT was possible.
FactSnippet No. 851,443 |
Pro Tools relied on Digidesign's Audiomedia card, mounting one Motorola 56001 processor with a clock rate of 22.
FactSnippet No. 851,444 |
Pro Tools 5 saw two substantial software developments: extended MIDI functionality and integration in 1999 and the introduction of surround sound mixing and multichannel plug-ins—up to the 7.
FactSnippet No. 851,445 |
Migration from traditional, tape-based analog studio technology to the Pro Tools platform took place within the industry: Ricky Martin's "Livin' la Vida Loca" was the first Billboard Hot 100 number-one single to be recorded, edited, and mixed entirely within the Pro Tools environment, allowing a more meticulous and effortless editing workflow .
FactSnippet No. 851,446 |
Pro Tools LE, first introduced and distributed in 1999 with the Digi 001 interface, was a specific Pro Tools version in which the signal processing entirely relied on the host CPU.
FactSnippet No. 851,447 |
The "Complete Production Toolkit", introduced with Pro Tools 8, added support for surround mixing and 128 tracks .
FactSnippet No. 851,448 |
Pro Tools 9, released in November 2010, dropped the requirement of proprietary hardware to run the software.
FactSnippet No. 851,449 |
Notable software features introduced with Pro Tools 10 were editable clip-based gain automation, the ability to load the session's audio data into RAM to improve transport responsiveness, quadrupled Automatic Delay Compensation length, audio fades processed in real-time, timeline length extended to 24 hours, support for 32-bit float audio and mixed audio formats within the session, and the addition of Avid Channel Strip plug-in .
FactSnippet No. 851,450 |
Pro Tools 11, released in June 2013, switched from 32-bit to 64-bit software architecture with new audio and video engines, enabling the application and plug-ins to fully take advantage of system memory.
FactSnippet No. 851,451 |
Pro Tools workflow is organized into two main windows: the timeline is shown in the Edit window, while the mixer is shown in the Mix window.
FactSnippet No. 851,452 |
Pro Tools reads embedded metadata in media files to manage multichannel recordings made by field recorders in production sound.
FactSnippet No. 851,453 |
Pro Tools software is available in three subscription-based paid versions and one free version .
FactSnippet No. 851,454 |
Pro Tools Dock was an iPad-based control surface running Pro Tools Control software.
FactSnippet No. 851,455 |