Audience of the early Restoration Comedy period was not exclusively courtly, as has sometimes been supposed, but it was quite small and could barely support two companies.
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Audience of the early Restoration Comedy period was not exclusively courtly, as has sometimes been supposed, but it was quite small and could barely support two companies.
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Daringly suggestive comedy scenes involving women became especially common, although of course Restoration actresses were, just like male actors, expected to do justice to all kinds and moods of plays.
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Male and female actors on the London stage in the Restoration Comedy period became for the first time public celebrities.
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Greatest fixed stars among Restoration Comedy actors were Elizabeth Barry and Thomas Betterton, both active in running the actors' revolt in 1695 and both original patent-holders in the resulting actors' cooperative.
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Restoration Comedy was established as the leading man in the Duke's Company, and played Dorimant, the seminal irresistible Restoration rake, at the premiere of George Etherege's Man of Mode .
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Restoration Comedy remained loyal to Rich longer than many of his co-workers, but eventually it was he who headed an actors' walkout in 1695 and became the acting manager of the new company.
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Early Restoration Comedy audiences had little enthusiasm for structurally simple, well-shaped comedies such as those of Moliere.
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Restoration Comedy's is kept from action and choice by the unattractiveness of all her options.
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Restoration Comedy comes home drunk every night and is continually rude and insulting to his wife.
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Restoration Comedy's is meanwhile tempted to embark on an affair with the witty and faithful Constant.
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