1. Robert Delaunay's writings on color, which were influenced by scientists and theoreticians, were largely intuitive and could sometimes be random statements based on the belief that color was a thing in itself, with its own powers of expression and form.
Robert Delaunay believed that painting was a purely visual art that depended on intellectual elements, and perception was in the impact of colored light on the eye.
Robert Delaunay was born in Paris, the son of George Delaunay and Countess Berthe Felicie de Rose.
At age 19, Robert Delaunay left Ronsin to focus entirely on painting and contributed six works to the Salon des Independants in 1904.
Robert Delaunay traveled to Brittany, where he was influenced by the group of Pont-Aven; and, in 1906, he contributed works he painted in Brittany to the 22nd Salon des Independants, where he met "Le Douanier" Henri Rousseau.
Robert Delaunay formed a close friendship at this time with Jean Metzinger, with whom he shared an exhibition at a gallery run by Berthe Weill early in 1907.
The height of his Neo-Impressionist work was in 1906 and 1907, when he and Robert Delaunay did portraits of each other in prominent rectangles of pigment.
In 1909, Robert Delaunay began to paint a series of studies of the city of Paris and the Eiffel Tower, the Eiffel Tower series.
Robert Delaunay participated in the first Blaue Reiter exhibition in Munich and sold four works.
At the outbreak of the First World War in 1914 Sonia and Robert Delaunay were staying in Fontarabie in Spain.
Robert Delaunay continued to work in both figurative and abstract themes, with a brief stint into Surrealism.
Robert Delaunay met Andre Breton and Tristan Tzara, who introduced him to both Dadaists and Surrealists.
Robert Delaunay died of cancer on 25 October 1941 in Montpellier at the age of 56.
The main collection of Robert Delaunay's works is in the Musee National d'Art Moderne in Paris but his work can be found in museums and public collections around the world such as the following:.