Roman Witold Ingarden was a Polish philosopher who worked in aesthetics, ontology, and phenomenology.
16 Facts About Roman Ingarden
2.
Nevertheless, Roman Ingarden's writings have made some indirect cultural impact through the writings of his student and eventual Pope, Karol Wojtyla.
3.
Roman Ingarden was born in Krakow, Austria-Hungary, on February 5,1893.
4.
Roman Ingarden first studied mathematics and philosophy at the Lwow University under Kazimierz Twardowski, then moved to the University of Gottingen in Germany to study philosophy under Edmund Husserl.
5.
Roman Ingarden was considered by Husserl to be one of his best and greatest students and accompanied Husserl to the University of Freiburg, where, in 1918, Ingarden submitted his doctoral dissertation with Husserl as director.
6.
Roman Ingarden previously suggested that he transfer to Lwow and write a new dissertation under Twardowski due to an increasing tension between Germany and Poland but Husserl refused and was uninterested.
7.
Roman Ingarden then returned to Poland, where he spent his academic career after obtaining his doctorate.
8.
Roman Ingarden became a professor at Nicolaus Copernicus University in Torun in 1945 shortly after the war but was banned in 1946 under the Communist regime.
9.
Roman Ingarden then moved to the Jagiellonian University in Krakow, where he was offered a position.
10.
Roman Ingarden died on June 14,1970, in Krakow as a result of a cerebral hemorrhage.
11.
Roman Ingarden was a realist phenomenologist and thus did not accept Husserl's transcendental idealism.
12.
Roman Ingarden's training was phenomenological; nonetheless, his work as a whole was directed towards ontology.
13.
That is why Roman Ingarden is one of the most renowned phenomenological ontologists, as he strove to describe the ontological structure and state of being of various objects based on the essential features of any experience that could provide such knowledge.
14.
Roman Ingarden maintained that literary works have four distinct ontological strata, and one of these - the stratum of represented objectivities - is absent in musical works.
15.
Roman Ingarden argued that his aesthetic theory is not only an analysis of art but an approach that answers basic philosophical issues.
16.
Roman Ingarden came to her defense when her work with Husserl was challenged.