Samson Agonistes is a tragic closet drama by John Milton.
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Samson Agonistes did not wish for it to be performed on stage, but thought that the text could still influence people.
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Samson Agonistes hoped that by giving Samson attributes of other Biblical figures, including Job or the Psalmist, he could create a complex hero who would embody and help resolve theological issues.
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Samson Agonistes has been captured by the Philistines, had his hair, the container of his strength, cut off and his eyes cut out.
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Samson Agonistes reveals how he lost his power because of his desire for Dalila, and, through this act, betrayed God:.
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Samson Agonistes combines Greek tragedy with Hebrew Scripture, which alters both forms.
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Likewise, David Loewenstein remarks that "the destruction and vengeance depicted in Samson Agonistes, then, dramatizes a kind of awesome religious terror".
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Samson Agonistes, who is both holy and desirous of Dalila, is seduced into betraying the source of his strength, and thus betrays God.
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However, Samson Agonistes develops through the play and Dalila reveals that she is concerned only with her status among her people.
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Samson Agonistes undergoes despair when he loses God's favour in the form of his strength.
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Samson Agonistes continued this service even though his eyesight was failing and he knew that he was hastening his own blindness.
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The correlation is significant to the Agonistes plot: Milton describes Samson as being "Eyeless in Gaza", a phrase that has become the most quoted line of Agonistes.
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Some chorus's lines in Samson Agonistes are rhymed, thus suggesting a return of the "chain of rhymes", which itself reflects upon Samson's imprisonment.
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