Stanislavsky Method's system cultivates what he calls the "art of experiencing".
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Stanislavsky Method's system cultivates what he calls the "art of experiencing".
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Stanislavsky Method introduced into the production process a period of discussion and detailed analysis of the play by the cast.
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Stanislavsky Method began to develop the more actor-centred techniques of "psychological realism" and his focus shifted from his productions to rehearsal process and pedagogy.
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Stanislavsky Method pioneered the use of theatre studios as a laboratory in which to innovate actor training and to experiment with new forms of theatre.
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Stanislavsky Method encouraged this absorption through the cultivation of "public solitude" and its "circles of attention" in training and rehearsal, which he developed from the meditation techniques of yoga.
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Stanislavsky Method developed a rehearsal technique that he called "active analysis" in which actors would improvise these conflictual dynamics.
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Stanislavsky Method created it in 1918 under the auspices of the Bolshoi Theatre, though it later severed its connection with the theatre.
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Stanislavsky Method hoped that the successful application of his system to opera, with its inescapable conventionality, would demonstrate the universality of his methodology.
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Stanislavsky Method recommended an indirect pathway to emotional expression via physical action.
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Stanislavsky Method suggests that Moore's approach, for example, accepts uncritically the teleological accounts of Stanislavski's work.
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