Tais Teng has written more than a hundred novels both for adults and children in the Dutch language.
18 Facts About Tais Teng
Tais Teng has won the Paul Harland Prize four times.
Tais Teng's books have been translated into German, Finnish, French, and English, with Teng himself being a Dutch and English bilingual writer.
Tais Teng has co-authored short stories and novels with Paul Harland, Eddy C Bertin, Bies van Ede, Roderick Leeuwenhart, Roelof Goudriaan, and Jaap Boekestein.
Tais Teng wrote the three-novel series Duisterlingen with Eddy C Bertin and Bies van Ede about three children with special powers who can travel into the nightmarish dreamland Yldorgei.
When Tais Teng started reading in earnest, fantasy was almost nonexistent in the Netherlands.
Tais Teng grew up with the idea that the Dutch engineering know-how would put them on the Moon and Mars first.
The tale about a war between an earthly computer system and a vegetative brain of Mars made Tais Teng decide that he wanted to be a writer.
When Tais Teng started writing, Jack Vance was the most influential writer for fledgling Dutch sci-fi writers at the time, more so than Robert Heinlein and Isaac Asimov.
Tais Teng wanted to write like him, but it soon became apparent that imitating his style wasn't enough: he still had to have a good tale.
Lovecraft remains a strong influence in his horror stories with Tais Teng naming his first English collection Lovecraft, My Love.
Part of the ziltpunk future described in Tais Teng's works is already here.
Tais Teng began selling his artwork in 1981, the same year he wrote his first children's book and published an SF collection for adults.
Tais Teng used oils and acrylic paint, and while oil paint looked better, it took a fortnight to dry, which proved to be a problem when working for demanding publishers.
For each part of the picture, Tais Teng had to cut out plastic stencils to preserve earlier parts.
Nowadays, Tais Teng makes use of computer-generated Fractals and kaleidoscopic mandalas to construct his landscapes.
Tais Teng often uses these statues as part of a cover image, integrating them with the rest of the picture.
Tais Teng often uses lengthy titles to tell their own mini-tales for his short stories.