Timba is considered to be a highly aggressive type of music, with rhythm and "swing" taking precedence over melody and lyricism.
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Timba is considered to be a highly aggressive type of music, with rhythm and "swing" taking precedence over melody and lyricism.
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Timba is more flexible and innovative than salsa, and includes a more diverse range of styles.
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Timba songs tend to sound more innovative, experimental and frequently more virtuosic than salsa pieces; horn parts are usually fast, at times even bebop influenced, and stretch to the extreme ranges of all instruments.
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Timba's danceable beat and energizing sound was popular among the tourists at a time when the music and dance scene was indirectly helping provide some support for Cuba's struggling economy.
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Timba lyrics generated considerable controversy due to their use of vulgar and witty street language, and because they made veiled references to public concerns including prostitution, crime, and the effects of tourism on the island, which had only rarely been addressed by other musicians.
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Timba left NG La Banda because it didnit afford him enough opportunity to write.
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Timba arrangers put a dramatic end to this type of predictable, formulaic arranging.
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Timba played the pattern on three congas on the Paulito song "Llamada anonima.
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Timba is musically complex, highly danceable, and reflects the problems and contradictions of contemporary Cuban society because it expresses a repetitive beat that relates to the repetitive day-to-day life the Cubans endured during the early 1990s.
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Timba is highly aggressive and a challenge to dance to some Cuban bands in search of a broader audience have intentionally made music that a majority of Latinos will find easy to dance to, mixing Latino staples such as salsa, merengue, and romantic ballads into the Cuban beat.
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Timba has start to become popular in the worldwide salsa scene today as commercial timba music selections are selectively accepted.
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