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facts about yitzhak yedid.html

29 Facts About Yitzhak Yedid

facts about yitzhak yedid.html1.

Yitzhak Yedid is an Israeli-Australian composer of contemporary classical music.

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The recipient of numerous awards, Yedid is an Azrieli Prize Laureate in Jewish Music, a Laureate of the Landau Prize for Performing Arts, and a Sidney Myer Creative Fellow.

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Yitzhak Yedid has been hailed as one of the most original composers on the international music scene today.

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Yitzhak Yedid's work is a reflection of his deep interest in Middle Eastern culture, ancient rituals, the aesthetics of classical and liturgical Arabic music, and non-Western music performance practices.

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Yitzhak Yedid specializes in performing Judaeo-Sephardic and Middle Eastern sacred music in concert piano recitals.

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Yitzhak Yedid was born in Jerusalem to a Jewish family of Syrian and Iraqi descent.

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Yitzhak Yedid studied at the Rubin Academy of Music with Vyacheslav Ganelin and the New England Conservatory in Boston with Ran Blake and Paul Bley in 1997 and 1998.

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In 1999 Yitzhak Yedid released his first album Full Moon Fantasyfor the Musa label.

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In 2001, Yitzhak Yedid's second recording, Inner Outcry, was released, for Musa.

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Yitzhak Yedid was commissioned to compose the suite Tachanun for a festival in Vienna, Austria, in 2002.

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However, Yitzhak Yedid refuses to publish the hand-written scores of these works.

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In 2005, Yitzhak Yedid composed the Oud Bass Piano Trio, performed at the Sibiu Festival in Romania, as well as in Australia, Canada, and the US in May and September 2005.

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In 2006, Yitzhak Yedid composed Since My Soul Loved, a four movement composition for improvising players for violin, viola, cello, double bass and piano.

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Yitzhak Yedid has put out over ten albums as a solo act and has collaborated Ethiopian-born saxophonist and vocalist Abate Berihun as the Ras-Deshen ensemble.

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Some of Yitzhak Yedid's works have been described as Third Stream, which combines contemporary classical music with jazz improvisation.

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Much of Yitzhak Yedid's output includes slots where soloists can improvise.

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Yitzhak Yedid has often said he is delighted when performers surprise him with their inventiveness.

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Yitzhak Yedid's compositions are generally viscerally and cerebrally engaging, and often visually striking, with the piano- playing role requiring a certain amount of calisthenic activity and a significant dosage of emotional and technical investment.

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Musically, Yitzhak Yedid creates a confluence between the Maqamat, heterophonic textures of ancient genres, and compositional approaches of contemporary Western classical music, to produce an original sound.

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Yitzhak Yedid introduces microtonality in his works in a range of different ways.

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Yitzhak Yedid examined ways of using microtonal pitches that in Arabic music function as ornamentation and as part of improvisational gestures.

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Yitzhak Yedid has extended the use of traditional ornamentation to compose microtonal sounds with microtonal qualities that unfold at different tempi without a definite pitch.

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Yitzhak Yedid writes "This work expresses my endless sadness to the death of innocent people".

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Yitzhak Yedid is the recipient of the Azrieli Foundation Prize for Jewish Music.

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Yitzhak Yedid's winning composition, Kiddushim Ve' Killulim, was unanimously declared the best new major work of Jewish music by the judges of the Canadian prize.

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Yitzhak Yedid received a total prize package valued at over, which included a world premiere performance of his work by Le Nouvel Ensemble Moderne, and a recording released on the Analekta label.

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In 2018 Yitzhak Yedid was awarded the Sidney Myer Creative Fellowship, valued over a two-year period.

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Yitzhak Yedid has received the top two prizes in Israel for composers and performers: the Prime Minister's Prize for Composers in 2007 and the Landau Prize for Performing Arts in 2009.

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Yitzhak Yedid has been awarded a composer-in- residence position at the Judith Wright Arts Centre, at the Western Australian Academy of Performing Arts and at the Gallop House in WA.