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14 Facts About Barbara McCullough

1.

Barbara McCullough was born on 1945 and is a director, production manager and visual effects artist whose directorial works are associated with the Los Angeles School of Black independent filmmaking.

2.

Barbara McCullough's father was a musician and because he was a blind veteran she had scholarship opportunities which allowed her to attend private school.

3.

From Project One, Barbara McCullough produced what is believed to be her first film Chephren-Khafra: Two Years of a Dynasty.

4.

Barbara McCullough was fascinated by dance, but she felt that she had to look outside it for a way to express her creativity within the constraints of her role as a college student enrolled at UCLA and as the mother of two children.

5.

Barbara McCullough was interested in history, psychology and literature, particularly the work of Zora Neale Hurston.

6.

Barbara McCullough explained that the woman was intended to symbolize all displaced people from developing countries who are forced to live according to the values of other cultures.

7.

Barbara McCullough's act of defiance in a strange land asserts her freedom over her own body.

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8.

Barbara McCullough uses this as a means of self-determination and self-representation.

9.

Barbara McCullough chooses to represent the rituals and creative processes of these artists to allow them to speak for themselves.

10.

Barbara McCullough uses this space to speak for herself, to allow herself to become a subject.

11.

Barbara McCullough's short film Fragments is a continuation into the exploration of ritual from Shopping Bag Spirits.

12.

Barbara McCullough has completed substantial work toward a documentary about Black jazz pianist and composer Horace Tapscott, who stayed in Los Angeles even after attaining a national reputation so that he could continue to help the Watts community where he grew up.

13.

Barbara McCullough is Chair of the Visual Effects Department at Savannah College of Art and Design.

14.

Barbara McCullough's films tend to involve the African diaspora, black feminism, and improvisation.