Catterino Cavos played an important role in the history of Russian opera and was the father of Alberto Cavos.
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Catterino Cavos played an important role in the history of Russian opera and was the father of Alberto Cavos.
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At the age of twelve, Catterino Cavos composed a cantata to celebrate Leopold II's arrival in Venice.
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Catterino Cavos was disbanded, but Cavos had fallen in love with St Petersburg, and entered the service of the Imperial Theatres, at first as composer for a French opera troupe with the responsibility to write music for the opera-vaudevilles.
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Catterino Cavos served as a professor at the Saint Catherine School, and later occupied the same place in the Smolny Convent.
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Catterino Cavos contributed to the second part of the opera tetralogy Rusalka.
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Catterino Cavos acquainted the Russian public with the operas of Luigi Cherubini, Etienne Mehul, Carl Maria von Weber, and others.
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Catterino Cavos spent more than forty years in Russia and died in St Petersburg.
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Catterino Cavos built the Bolshoi Kamenny into a stronghold of Russian opera.
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Catterino Cavos wrote works such as Ilya Bogatyr on heroic national themes with librettos in Russian, and his music was strongly influenced by Russian and Ukrainian folk songs.
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Catterino Cavos' wife, Camilla Baglioni, was a coloratura soprano who gained fame as an opera singer in the late 18th century.
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Catterino Cavos's descendants included: Alexandre Benois artist and founder of Mir iskusstva, painter Zinaida Serebriakova, sculptor and graphic artist Eugene Lanceray, architect Leon Benois, and actor Sir Peter Ustinov.
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