Ninotchka is a 1939 American romantic comedy film made for Metro-Goldwyn-Mayer by producer and director Ernst Lubitsch and starring Greta Garbo and Melvyn Douglas.
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Ninotchka is a 1939 American romantic comedy film made for Metro-Goldwyn-Mayer by producer and director Ernst Lubitsch and starring Greta Garbo and Melvyn Douglas.
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Ninotchka is Greta Garbo's first full comedy, and her penultimate film; she received her third and final Academy Award nomination for Best Actress.
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Ninotchka is methodical, rigid and stern, chastising Iranoff, Buljanoff and Kopalski for failing to complete their mission.
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Intrigued by his behavior, Ninotchka tells him he might warrant study and suggests they go to his apartment.
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Ninotchka becomes attracted to Leon and eventually, they begin to kiss but are interrupted by a phone call from Buljanoff.
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The following afternoon, a hungover Ninotchka is awakened by Swana and discovers Rakonin has stolen the jewelry during the night.
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Ninotchka finally receives a letter from Leon, but it has been completely censored by the authorities, and she is devastated.
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Against her wishes, Ninotchka is sent by Commissar Razinin to investigate and retrieve the trio.
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When Ninotchka asks them who was responsible for this idea, they point to a balcony where Leon is standing.
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Rolfe Sedan, who portrayed the hotel manager in Ninotchka, appears uncredited as a stage manager in Silk Stockings.
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In 1990, Ninotchka was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
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Ninotchka is recognized as well by the American Film Institute in the AFI 100 Years.
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Ninotchka received four Academy Award nominations: Best Picture, Best Actress in a Leading Role, Best Original Story, and Best Screenplay.
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Ninotchka is based on a three-sentence story idea by Melchior Lengyel that made its debut at a poolside conference in 1937, when a suitable comedy vehicle for Garbo was being sought by MGM: “Russian girl saturated with Bolshevist ideals goes to fearful, capitalistic, monopolistic Paris.
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