Pansori was originally called the "sori", and it was called Taryeong, Japga, Clown Song, and Geokga .
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Pansori was originally called the "sori", and it was called Taryeong, Japga, Clown Song, and Geokga .
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Pansori has been designated as Korea's National Intangible Cultural Heritage No 5 since 1964.
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Pansori is a form of musical entertainment that has persisted in Korea from the 17th century to the present day.
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Changgeuk is based on the name of Pansori dramatized after Wongaksa Temple, but it is not suitable for pure Pansori.
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Again, the rhythm of Pansori has a tempo from the slow beat of Jinyangjo, Jungmori, Jungjungmori, Jajinmori, Hwimori, Ujungmori, etc.
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Pansori is thought to have originated in the late 17th century during the Joseon Dynasty.
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Pansori reinterpreted and compiled songs to fit the tastes of the upper class and trained the first notable female singers, including Jin Chae-seon, who is considered to be the first female master of pansori.
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Pansori's school originated from the division of relations and regions of origin, with the establishment of the flow, singing and theory of each song over a long period of time, leading to the formation of several small branches that diverged from the great stem.
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Pansori's school was largely classified as the two major mountains of East and West Pyeonje, and expressing School in Pansori was in line with the classification of Yupa in Sijo, Yeongje, Wanje, and Naepoje.
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Pansori can be divided into Junggoje, in addition to Dongpyeonje and Seopyeonje, depending on the region.
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Pansori is produced by one person's sounder and one person's drumming, so the music of Pansori is formed from the sound of the speaker and drumming of the drummers.
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Pansori tunes are used in various tunes depending on the musical composition, melody, and musical expression.
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Pansori is characterized by the fact that rhythm such as Gutgeori, Taryeong, Dungdeokgung, and Salpuri, which are used in dance, japga, or shamanism, is not used.
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Pansori tunes are appropriately combined according to the contents of the Pansori editorial to give musical changes according to dramatic situations.
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Pansori masterpiece refers to a person who sings exceptionally well in the intestines of Pansori.
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Best literature of Pansori is "Chunhyangga, " which was published in "The Cartoon House" by Yu Jin .
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Best singers of Pansori were Uchundae, Kwon Sam-deuk, and Moheung-gap, which appeared in "Guanwoohee" of Song Man-jae, and Hahandam, which appeared in "Gapsin Wanmun", and were from the reign of King Yeongjo and King Jeongjo of modern Joseon.
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Pansori delivers the feelings of the artists to the audience most accurately.
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Tradition-based theater and full-length performances in one of the many recognized specialty sectors of Orthodox Pansori are all included within the government of Korea's cultural conservation program, which includes Orthodox Pansori.
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However, there is a great feature in the Pansori version that plays do not have, which is that plays can be performed by anyone, while there is a specific version of the Pansori version for clowns.
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Original version of Pansori is sometimes produced in various ways during the transmission process.
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Pansori became familiar with Western music via the teachings of Chinese Catholic priests.
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