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16 Facts About Angelo Bronzino
Many portraits of the Medicis exist in several versions with varying degrees of participation by Angelo Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift.
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Angelo Bronzino trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always appear calm and somewhat reserved, lacking the agitation and emotion of those by his teacher.
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Angelo Bronzino was born in Florence, the son of a butcher.
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Pontormo exercised a dominant influence on Angelo Bronzino's developing style, and the two were to remain collaborators for most of the former's life.
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Angelo Bronzino apparently was assigned the frescoes on the dome, which have not survived.
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Angelo Bronzino's style is so similar to his master's that scholars still debate the specific attributions.
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Towards the end of his life, Angelo Bronzino took a prominent part in the activities of the Florentine Accademia delle Arti del Disegno, of which he was a founding member in 1563.
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Painter Alessandro Allori was his favourite pupil, and Angelo Bronzino was living in the Allori family house at the time of his death in Florence in 1572.
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Angelo Bronzino's best known works comprise the aforementioned series of the duke and duchess, Cosimo and Eleonora, and figures of their court such as Bartolomeo Panciatichi and his wife Lucrezia.
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The elaborate gown has been rumored to be so beloved by the duchess that she was ultimately buried in it; when this myth was debunked, others suggested that perhaps the garment never existed at all and Angelo Bronzino invented the entire thing, perhaps working only from a fabric swatch.
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Finally, in addition to being a painter, Angelo Bronzino was a poet, and his most personal portraits are perhaps those of other literary figures such as that of his friend the poet Laura Battiferri.
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