Cantonese opera is one of the major categories in Chinese opera, originating in southern China's Guangdong Province.
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Cantonese opera is one of the major categories in Chinese opera, originating in southern China's Guangdong Province.
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Gradually, Cantonese Opera became a part of daily entertainment activity in the colony.
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However, Cantonese Opera began to decline as TV and cinema started to develop in the late 1960s.
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Local Teochew Cantonese opera troupes lost their ground regarding live-on-stage Ghost Festival Cantonese opera performances when the business environment was destroyed.
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Chan Kim-seng, the former chairperson of Chinese Artists Association of Hong Kong, saw similar threats towards Cantonese opera and fought tooth and nail for job security of members.
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Speech-types are of a wide variety: one is nearly identical to standard conversational Cantonese opera, while another is a very smooth and refined delivery of a passage of poetry; some have one form or another of instrumental accompaniment while others have none; and some serve fairly specific functions, while others are more widely adaptable to variety of dramatic needs.
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Cantonese opera uses Mandarin or Guan Hua when actors are involved with government, monarchy, or military.
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Cantonese opera pieces are classified either as "theatrical" or "singing stage" .
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Western music in Cantonese opera is accompanied by strings, woodwinds, brass plus electrified instruments.
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Use of instruments in Cantonese opera is influenced by both western and eastern cultures.
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Instrumental ensemble of Cantonese opera is composed of two sections: the melody section and the percussion section.
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