Croatian literature refers to literary works attributed to the medieval and modern culture of the Croats, Croatia, and Croatian.
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Croatian literature refers to literary works attributed to the medieval and modern culture of the Croats, Croatia, and Croatian.
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The oldest testaments to Croatian literacy are dated to the 11th and 12th centuries, and Croatian medieval literature lasts until the middle of the 16th century.
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Some elements of medieval forms can be found even in 18th century Croatian literature, which means that their influence had been stronger in Croatia than in the rest of Europe.
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Early Croatian literature was inscribed on stone tablets, hand-written on manuscripts, and printed in books.
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That interaction makes Croatian writing unique among Slavic prose, and even in European literature.
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Croatian medieval literature reflects the general trends within European literature, though there were some different traits, for example, literature directed at the common people; a strong background tradition of oral literature, blending religious topics and interweaving of genres.
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Croatian early literature was influenced by two spheres: from the East and from the West.
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Croatian literature expanded into prose and plays with authors such as Dinko Zlataric, Mavro Vetranovic and Marin Drzic.
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The first Croatian literature novel, written by Petar Zoranic and published posthumously in 1569 in Venice, featured the author as an adventurer, portraying his passionate love towards a native girl.
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In Croatian literature, it was marked by flamboyance, with pious and lofty themes using rich metaphors in which the form becomes more important than the content.
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Croatian literature published histories, epics, reformed the lettering system, formed a printing press, and wrote chronicles and calendars.
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Senoa considered that Croatian literature was too remote from real people's lives and that artistic creations should have a positive effect on the nation.
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Croatian literature introduced the historical novel into Croatian literature, and from 1874 to 1881 edited the literary journal "Vienac" which was the focal point of Croatian literary life until 1903.
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Croatian literature continued the tradition of the Illyrian movement, at the same time introducing elements of Realism into Croatian literature.
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Croatian literature was the author of the first syntax of standard Croatian, Skladanja ilirskog jezika.
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Croatian literature authored several school-level textbooks and his Slovnica hrvatska published in 1871 was both a standard high-school textbook and a norm and codification of standard language for the period.
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Croatian literature achieved some success with his poem "Kipci i popevke",.
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Croatian literature's writing is modernist, though based on a realist tradition.
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Croatian literature's prose remains essentially modern even today in both its structure and subject.
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Croatian literature's work spanning essays, reviews, novels, poems, and travel books was highly influential.
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Croatian literature announced the birth of a new era, one that allowed freedom of choice for expressive means, an opening up to western influences and a somewhat more open treatment of literary themes.
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Croatian literature published a series of short stories, novels, essays and travel books, his essays challenging the Croatian national question "Svi smo mi odgovorni".
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Croatian literature dealt with the conflict of a sensitive individual in middle age, unable to achieve an authentic identity.
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Croatian literature was preoccupied with the idea of human loss, and the struggle to achieve an authentic existence, which he portrayed in a series of semantically layered images.
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Knowledgeable about current trends in world Croatian literature, he produced a modernist poetry version of myths and legends, rewriting classical motifs and forms.
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Croatian literature was close to the upcoming generation of new writers in the 1960s, as editor of the Hrvatski tjednik, a cult publication in the period of the Croatian Spring.
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Croatian literature passionately advocated the idea of liberal democracy and Croatian national emancipation.
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Croatian literature wrote some notable works for adults; prose and drama based on his linguistic and stylistic virtuosity and wit that occasionally become happy pastiches of literary stereotypes from domestic and world literature.
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Croatian literature achieved international success with the lexicographical work "Mediteranski brevijar".
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Croatian literature produced at the end of the 1970s a series of historical novels inspired by the phrases and themes of old travel books and chronicles, folk literature and Ivo Andric's narrative technique.
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Croatian literature was significant as a critic and anthologist, seeking to reinterpret ideas about post-war Croatian poetry, affirming some previously neglected early modernists and writers who built autonomous poetic worlds, especially Nikola Sop.
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Croatian literature started as a fantasist willing to experiment, then went on to write a series of novels, mainly detective fiction.
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