Le Theatre du Grand-Guignol – known as the Grand Guignol – was a theatre in the Pigalle district of Paris (7, cite Chaptal).
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Le Theatre du Grand-Guignol – known as the Grand Guignol – was a theatre in the Pigalle district of Paris (7, cite Chaptal).
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Grand Guignol's theatre gave Metenier a basic model to use for The Grand Guignol Theatre.
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Grand Guignol wrote at least 100 plays for the Grand Guignol, such as The Old Woman, The Ultimate Torture, A Crime in the Mad House and more.
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Grand Guignol collaborated with experimental psychologist Alfred Binet to create plays about insanity, one of the theatre's favourite and frequently recurring themes.
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Grand Guignol contributed his expertise in special effects and scenery to the theatre's distinctive style.
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Grand Guignol shifted the theatre's subject matter, focusing performances not on gory horror but psychological drama.
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The horrors depicted at Grand Guignol were generally not supernatural; rather these plays often explored altered states like insanity, hypnosis, or panic.
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Grand Guignol is seen "pac[ing] nervously" and "jumping on [a] desk and gesticulating".
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Grand Guignol flourished briefly in London in the early 1920s under the direction of Jose Levy, where it attracted the talents of Sybil Thorndike and Noel Coward, and a series of short English "Grand Guignol" films was made at the same time, directed by Fred Paul.
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Abbott remarks how "the show's artistic design and display of the corpses calls to mind images from Grand Guignol theatre, featuring weekly macabre images such as a human totem pole made out of dismembered corpses".
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Grand Guignol plays a prominent role in Ib Melchior's WWII novel Code Name: Grand Guignol, in which a small group of actors from the theatre team up with the French resistance and use their special skills to infiltrate Hitler's construction of a secret weapon, the V-3 cannon.
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