1. Izabela Sadoveanu-Evan spent her youth advocating socialism, and rallied with left-wing politics for the remainder of her life, primarily as a representative of Poporanist circles and personal friend of culture critic Garabet Ibraileanu.

1. Izabela Sadoveanu-Evan spent her youth advocating socialism, and rallied with left-wing politics for the remainder of her life, primarily as a representative of Poporanist circles and personal friend of culture critic Garabet Ibraileanu.
The cousin of socialist politico Vasile Mortun, Izabela Sadoveanu-Evan was the sister-in-law of novelist and political figure Mihail Sadoveanu.
Izabela Sadoveanu-Evan was related to various families of importance in Romanian political history.
Izabela Sadoveanu-Evan's parents were Gheorghe Grigore and Eleonora Mortun, uncle and aunt of the socialist Vasile Mortun.
Izabela Sadoveanu-Evan was adopted, soon after birth, by the Andrei family, and is reported to have been an unhappy and unwanted child.
Izabela Sadoveanu-Evan had a half-sister, Adela, whom she later described as one of the beauties of Moldavia.
Izabela Sadoveanu-Evan was at the time in Bacau city, a substitute teacher at the day school for girls.
In short time, Izabela Sadoveanu-Evan Mortun made her way to Bucharest, Romania's capital.
Izabela Sadoveanu-Evan followed him to Focsani, where she taught at the Girls' Boarding School, and eventually to Bucharest, where she worked as an educator for Scoala Centrala de Fete.
Izabela Sadoveanu-Evan became a disciple of the Poporanist theorist and editor in chief Garabet Ibraileanu, particularly in what concerns Ibraileanu's rationalist approach to literary phenomena.
Izabela Sadoveanu-Evan has a philosophy, even though she is a woman.
Izabela Sadoveanu-Evan's work touched on the connection between Romanian Symbolists and the literary side of Vienna Secession.
Izabela Sadoveanu-Evan reacted against cultural isolationism, describing in detail the merits of reciprocal translation in expanding the written culture.
Izabela Sadoveanu-Evan was one of four female writers invited to attend the 1909 congress of writers held at the Gheorghe Lazar High School, which effectively established the Romanian Writers' Society, a professional association presided upon by Mihail Sadoveanu.
Izabela Sadoveanu-Evan became noted as a translator foreign-language works, primarily Italian, into her native Romanian; in 1909, under contract with Minerva, she published a volume of novellas by Grazia Deledda and Giovanni Verga's Royal Tiger.
Izabela Sadoveanu-Evan returned to take up a headmistress' office at Iasi's Pedagogic Institute for Girls, and later at the Elena Cuza School of Bucharest.
Although, after Impresii literare, her critical essays were never again collected in book form, Izabela Sadoveanu-Evan published several new tracts as an educationist: the 1911 Educatia estetica si artistica din ultimele doua decenii was followed later by Material didactic Montessori, Educatia noua.
In 1918, shortly after World War I had ended, Izabela Sadoveanu-Evan Sadoveanu was a founding member of Asociatia pentru emanciparea civila si politica a femeilor romane, which unified several of the feminist associations in Greater Romania around the ideal of women's suffrage.
Izabela Sadoveanu-Evan later traced the origin of Romania's organized feminist movement with the UFR's earliest nucleus, created in the 1840s by Maria Nicolau.
Izabela Sadoveanu-Evan lectured there about the implementation of education reform.
Izabela Sadoveanu-Evan was originally a columnist for Dimineata, with Pagina femeii ; at the same time, Viata Romaneasca serialized her biographic series Profiluri feminine, later taken up by Adevarul Literar si Artistic.
Izabela Sadoveanu-Evan alleged that, as a very young man, Ibraileanu had been in love with her sister Adela.
Izabela Sadoveanu-Evan was contributing to the provincial press: in 1934, her piece "How to Create a Reading Public" ran in the Ploiesti paper Gazeta Cartilor.
Izabela Sadoveanu-Evan is mentioned, as Sidonia Alexe, in In preajma revolutiei a 1930s novel and hidden memoir by Constantin Stere, former member of the Viata Romaneasca circle.