24 Facts About Jean Georges Noverre

Jean-Georges Noverre was a French dancer and balletmaster, and is generally considered the creator of ballet d'action, a precursor of the narrative ballets of the 19th century.

Jean Georges Noverre was next engaged by Duke Karl Eugen of Wurttemberg, and later Austrian Empress Maria Theresa, until 1774.

Jean Georges Noverre regained this post until the French Revolution reduced him to poverty.

Jean Georges Noverre's friends included Voltaire, Mozart, Frederick the Great and David Garrick.

Besides the Lettres sur la danse, Jean Georges Noverre wrote Observations sur la construction d'une nouvelle salle de l'Opera ; Lettres sur Garrick ecrites a Voltaire ; and Lettre a un artiste sur les fetes publiques.

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In 1747, Jean Georges Noverre became ballet master in Strasbourg and created his first great success, the exotic Les Fetes Chinoises.

Jean Georges Noverre traveled to Vienna, where he worked under Queen Maria Theresa and became Maitre de danse for her twelve-year-old daughter, Marie-Antoinette.

Jean Georges Noverre continued to supervise dance spectacles at Drury Lane, but without billing.

In 1779 Jean Georges Noverre was unseated from his position because Dauberval, Maximilien Gardel and Mlle Guimard gathered prominent people and poisoned them against Jean Georges Noverre.

Jean Georges Noverre's fitting effect on the Paris ballet world would be preserved by the production of his tragic ballet Jason et Medee in 1763.

Jean Georges Noverre wrote this text in London in 1756 and published it in 1760 in Lyon, France.

Jean Georges Noverre began his research for his essays in Drury Lane, London, where he choreographed for his own troupe of dancers at the Theatre Royal under the direction of David Garrick.

Jean Georges Noverre was inspired by the pantomimes that he thought stirred up the audience's emotions by the use of expressive movement.

Jean Georges Noverre proclaimed in his text that ballet should unfold through dramatic movement, and the movement should express the relationship between the characters.

Jean Georges Noverre named this type of ballet, ballet d'action or pantomime ballet.

Rameau was a very influential French composer and music theorist, and Jean Georges Noverre was inspired by his dance music that combined programmatic and strongly individual elements.

Jean Georges Noverre was inspired by his talent for "histrionics" and vivid mime work where Jean Georges Noverre wanted to shake from the traditional forms of Ballet.

Salle and Jean Georges Noverre had an intertwining history that began at the Paris Opera Ballet.

Social and economic factors, in what was unequivocally a “man's world” allowed Jean Georges Noverre to bring forth his ideologies surrounding the evolution of dance.

Jean Georges Noverre was performing at the time when the dancers' costumes were not realistic.

Jean Georges Noverre discussed the methods for training dancers such as encouraging a student to capitalize on his or her own talents.

Jean Georges Noverre criticized the Paris Opera Ballet use of the mask because it restricted the dancer from showing facial expressions that could bear meaning on their characters.

Jean Georges Noverre did receive criticism from many of his prominent ballet contemporaries, however his theories have survived longer than any of his ballets, which have not been reproduced for at least two centuries.

In 2014, MacMahon's translation was transcribed with commentary by Michael Burden and Jennifer Thorp, and published with eight essays by dance historians and musicologists as The Works of Monsieur Jean Georges Noverre Translated from the French: Jean Georges Noverre, His Circle, and the English Lettres sur la Danse.