John Bull is a national personification of the United Kingdom in general and England in particular, especially in political cartoons and similar graphic works.
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John Bull is a national personification of the United Kingdom in general and England in particular, especially in political cartoons and similar graphic works.
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John Bull is usually depicted as a stout, middle-aged, country-dwelling, jolly and matter-of-fact man.
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John Bull originated in satirical works of the early 18th century and would come to stand for "English liberty" in opposition to revolutionaries.
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John Bull was popular through the 18th and 19th centuries until the time of the first world war, when he generally stopped being seen as representative of the "common man".
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John Bull originated as a satirical character created by John Arbuthnot, a friend of Jonathan Swift and Alexander Pope.
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John Bull first appeared in 1712 in Arbuthnot's pamphlet Law is a Bottomless Pit.
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John Bull was almost always depicted in a buff-coloured waistcoat and a simple frock coat .
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John Bull Arbuthnot provided him with a sister named Peg, and a traditional adversary in Louis Baboon .
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John Bull is usually depicted as a stout man in a tailcoat with light-coloured breeches and a top hat which, by its shallow crown, indicates its middle class identity.
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John Bull has been used in a variety of different ad campaigns over the years, and is a common sight in British editorial cartoons of the 19th and early 20th centuries.
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John Bull excels in humour more than in wit; is jolly rather than gay; melancholy rather than morose; can easily be moved to a sudden tear or surprised into a broad laugh; but he loathes sentiment and has no turn for light pleasantry.
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Cartoon image of stolid, stocky, conservative and well-meaning John Bull, dressed like an English country squire, sometimes explicitly contrasted with the conventionalised scrawny, French revolutionary sans-culottes Jacobin, was developed from about 1790 by British satirical artists James Gillray, Thomas Rowlandson and Isaac Cruikshank.
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Increasingly through the early twentieth century, John Bull became seen as not particularly representative of "the common man, " and during the First World War this function was largely taken over by the figure of Tommy Atkins.
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Consequently, John Bull was replaced by Sidney Strube's suburban Little Man as the personification of the nation.
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John Bull is the only Englishman that seems to have traversed these regions, as man, simply, not as John Bull.
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