Royalist sentiment did not evaporate, however, and in Brittany, violence between the two sides – "Blue" Revolutionaries against "White" Les Chouans – continued as the Chouannerie, even when Napoleon took power in 1799.
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The Bonaparte forces responded as the republic had, and the Les Chouans were defeated – although political divisions and resentment lingered for more than a century.
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Les Chouans's novels captured the ebb and flow of society, and he demonstrated the far-reaching impact of major historical changes.
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Les Chouans had engaged in a series of ill-fated speculative investments, which left him in considerable debt.
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Les Chouans spent several weeks learning about the insurrection.
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Les Chouans pored over his host's books and interviewed the townspeople about their experiences during the time of the uprising.
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Les Chouans wandered around the city, taking in details to use in his descriptions of the landscape.
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Les Chouans had been corresponding with Ewelina Hanska, who wrote to him anonymously in 1832.
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Les Chouans had written two years earlier to Hanska: "There's no doubt about it – it is a magnificent poem.
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Les Chouans's discovers her folly too late and tries, unsuccessfully, to save her husband the day after their marriage.
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Les Chouans considered Scott's view of women unrefined, and believed this led to a stale representation of human behavior as a result.
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Les Chouans's represents revenge and hatred chiseled from romantic injury, and has been noted as a rough sketch of the title character in Balzac's La Cousine Bette.
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Les Chouans gives up the cause for Marie, but only as a result of an unclear series of events, the product of everyone's intertwined double-crossing.
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Les Chouans is considered Balzac's first real success as a writer – a milestone for which he was prepared, evidenced by his willingness to sign his own name.
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Saintsbury proclaims that publishing Les Chouans was how he "first emerged from the purgatory of anonymous hack-writing.
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