Mohiniyattam dance gets its name from the word Mohini – a historical enchantress avatar of the Hindu God Vishnu, who helps the good prevail over evil by developing her feminine powers.
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Mohiniyattam dance gets its name from the word Mohini – a historical enchantress avatar of the Hindu God Vishnu, who helps the good prevail over evil by developing her feminine powers.
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Mohiniyattam's appears in Hindu mythologies during a battle between Devas and Asuras (evil), after the evil had won control of Amrita (nectar of immortality).
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Mohiniyattam is a classical Indian dance, which by definition traces its repertoire to the foundational text Natya Shastra.
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Mohiniyattam follows the structure and aims of the Lasya dance in Natya Shastra.
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Mohiniyattam is a lasya subgenre of dance, performed in the Kaisiki vritti, as discussed in ancient Indian performance arts texts such as the Natya Shastra.
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Basic posture of Mohiniyattam is parted feet, knees bent outwards, an erect upper torso, gentle 8-shape side to side swaying of body along with hips.
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Repertoire sequence of Mohiniyattam is similar to that of Bharatanatyam, so of contains seven items that are performed to a structure described in classical dance texts: Cholkettu, Jatisvaram or more precisely Swarajeti, Varnam (a play wherein she embeds a mimicry for distraction while communicating the underlying story or message), Padam (song), Tillana (dancer's interpretation of melody the musician create), Shlokam and Saptam.
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Mohiniyattam's wears a fitted choli matching the sari, below which at the waist is a golden belt which tucks in the end of the sari, and highlights the waist.
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Musical instruments usually used in Mohiniyattam are Mridangam or Madhalam, Idakka (hour glass drum), flute, Veena, and Kuzhitalam (cymbals).
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