Vishnu is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism.
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Vishnu is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism.
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In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe.
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Vishnu is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism.
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Whenever the world is threatened with evil, chaos, and destructive forces, Vishnu descends in the form of an avatar to restore the cosmic order, and protect dharma.
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Vishnu is typically shown with four arms, but two armed representations are found in Hindu texts on artworks.
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Rarely, Vishnu is depicted bearing the bow Sharanga or the sword Nandaka.
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Vishnu is depicted with the Kaustubha gem in a necklace and wearing Vaijayanti, a garland of forest flowers.
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Vishnu iconography show him either in standing pose, seated in a yoga pose, or reclining.
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The avatars of Vishnu descend to empower the good and to destroy evil, thereby restoring Dharma and relieving the burden of the Earth.
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Vishnu is a popular Hindu deity among Tamilians in Tamil Nadu, as well among the Tamil diaspora.
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Vishnu is described in the Vedic literature as the one who supports heaven and earth.
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Vishnu's distinguishing characteristic in Vedas is his association with light.
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Vishnu is described to be permeating all object and life forms, states S Giora Shoham, where he is "ever-present within all things as the intrinsic principle of all", and the eternal, transcendental self in every being.
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Vishnu is the primary focus of the Vaishnavism-focused Puranas genre of Hindu texts.
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One version of the cosmology, for example, states that Vishnu's eye is at the Southern Celestial Pole from where he watches the cosmos.
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Vishnu Purana discusses the Hindu concept of supreme reality called Brahman in the context of the Upanishads; a discussion that the theistic Vedanta scholar Ramanuja interprets to be about the equivalence of the Brahman with Vishnu, a foundational theology in the Sri Vaishnavism tradition.
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Vishnu is equated with Brahman in the Bhagavata Purana, such as in verse 1.
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The Puranic legends of Vishnu have inspired plays and dramatic arts that are acted out over festivals, particularly through performance arts such as the Sattriya, Manipuri dance, Odissi, Kuchipudi, Kathakali, Kathak, Bharatanatyam, Bhagavata Mela and Mohiniyattam.
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Vishnu's iconography typically shows Brahma being born in a lotus emerging from his navel, who then is described as creating all the forms in the universe, but not the primordial universe itself.
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Krishna as Vishnu avatar is the primary subject of two post-Sangam Tamil epics Silappadikaram and Manimekalai, each of which was probably composed about the 5th century CE.
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Vishnu is known as Upulvan or Upalavarna, meaning 'Blue Lotus coloured'.
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Some postulate that Uthpala varna was a local deity who later merged with Vishnu while another belief is that Utpalavarna was an early form of Vishnu before he became a supreme deity in Puranic Hinduism.
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Vishnu rocks are a type of volcanic sediment found in the Grand Canyon, Arizona, USA.
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In Indonesia, Vishnu or Wisnu is a well-known figure in the world of wayang, Wisnu is often referred to as the title Sanghyang Batara Wisnu.
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Vishnu is the most powerful son of all the sons of Batara Guru.
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The most significant Vishnu-related epigraphy and archaeological remains are the two 1st century BCE inscriptions in Rajasthan which refer to temples of Sankarshana and Vasudeva, the Besnagar Garuda column of 100 BCE which mentions a Bhagavata temple, another inscription in Naneghat cave in Maharashtra by a Queen Naganika that mentions Sankarshana, Vasudeva along with other major Hindu deities and several discoveries in Mathura relating to Vishnu, all dated to about the start of the common era.
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