20 Facts About Progressive rock

Progressive rock is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s.

Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism.

Conventional wisdom holds that the rise of punk Progressive rock caused this, but several more factors contributed to the decline.

Historically, "art Progressive rock" has been used to describe at least two related, but distinct, types of Progressive rock music.

However, art Progressive rock is more likely to have experimental or avant-garde influences.

Related searches

Progressive rock is varied and is based on fusions of styles, approaches, and genres, tapping into broader cultural resonances that connect to avant-garde art, classical music and folk music, performance and the moving image.

One of the best ways to define progressive rock is that it is a heterogeneous and troublesome genre – a formulation that becomes clear the moment we leave behind characterizations based only on the most visible bands of the early to mid-1970s.

Progressive rock was predicated on the "progressive" pop groups from the 1960s who combined rock and roll with various other music styles such as Indian ragas, oriental melodies and Gregorian chants, like the Beatles and the Yardbirds.

Progressive rock came to be appreciated overseas, but it mostly remained a European, and especially British, phenomenon.

British progressive rock acts had their greatest US success in the same geographic areas in which British heavy metal bands experienced their greatest popularity.

Progressive rock achieved popularity in Continental Europe more quickly than it did in the US.

Progressive rock emerged in Yugoslavia in the late 1960s, dominating the Yugoslav rock scene until the late 1970s.

Punk and progressive rock were not necessarily as opposed as is commonly believed.

Progressive rock's impact was felt in the work of some post-punk artists, although they tended not to emulate classical rock or Canterbury groups but rather Roxy Music, King Crimson, and krautrock bands, particularly Can.

Second wave of progressive rock bands appeared in the early 1980s and have since been categorised as a separate "neo-progressive rock" subgenre.

Progressive rock metal reached a point of maturity with Queensryche's 1988 concept album Operation: Mindcrime, Voivod's 1989 Nothingface, which featured abstract lyrics and a King Crimson-like texture, and Dream Theater's 1992 Images and Words.

Progressive rock has served as a key inspiration for genres such as post-rock, post-metal and avant-garde metal, math rock, power metal and neo-classical metal.

Many prominent progressive rock bands got their initial exposure at large rock festivals that were held in Britain during the late 1960s and early 1970s.

Progressive rock has been described as parallel to the classical music of Igor Stravinsky and Bela Bartok.

Progressive rock represented the maturation of rock as a genre, but there was an opinion among critics that rock was and should remain fundamentally tied to adolescence, so rock and maturity were mutually exclusive.