Ragtime – spelled rag-time or rag time – is a musical style that flourished from the 1890s to 1910s.
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Ragtime – spelled rag-time or rag time – is a musical style that flourished from the 1890s to 1910s.
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Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb.
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Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles.
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Ragtime music was developed long before it was printed into sheet music.
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Ragtime quickly established itself as a distinctly American form of popular music.
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Ragtime became the first African-American music to have an impact on mainstream popular culture.
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Ragtime was an influence on early jazz; the influence of Jelly Roll Morton continued in the Harlem stride piano style of players such as James P Johnson and Fats Waller.
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In 1973, The New England Ragtime Ensemble recorded The Red Back Book, a compilation of some of Joplin's rags in period orchestrations edited by conservatory president Gunther Schuller.
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Ragtime influenced classical composers including Erik Satie, Claude Debussy, and Igor Stravinsky.
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Ragtime was one of the main influences on the early development of jazz.
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Ragtime incorporated the Spanish Tinge in his performances, which gave a habanera or tango rhythm to his music.
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Ragtime music was distributed via piano rolls for player pianos.
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Ragtime served as the roots for stride piano, a more improvisational piano style popular in the 1920s and 1930s.
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Ragtime guitar continued to be popular into the 1930s, usually in the form of songs accompanied by skilled guitar work.
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Ragtime pieces came in a number of different styles during the years of its popularity and appeared under a number of different descriptive names.
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Ragtime later returned to the style with two preludes for piano: Minstrels, and General Lavine-excentric, which was inspired by a Medrano circus clown.
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