Stesichorus exercised an important influence on the representation of myth in 6th century art, and on the development of Athenian dramatic poetry.
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Stesichorus exercised an important influence on the representation of myth in 6th century art, and on the development of Athenian dramatic poetry.
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Stesichorus was born in Metauros in Calabria, Southern Italy c 630 BC and died in Katane (modern Catania) in Sicily in 555 BC.
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Stesichorus was called Stesichorus because he was the first to establish a chorus of singers to the cithara; his name was originally Tisias.
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Specific dates given by the Suda for Stesichorus have been dismissed by one modern scholar as "specious precision" — its dates for the floruit of Alcman, the life of Stesichorus (37th–56th Olympiads) and the birth of Simonides (the 56th Olympiad) virtually lay these three poets end-to-end, a coincidence that seems to underscore a convenient division between old and new styles of poetry.
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Stesichorus's poetry included a description of the river Himera as well as praise for the town named after it, and his poem Geryoneis included a description of Pallantium in Arcadia.
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Many modern scholars don't accept the Suda's claim that Stesichorus was named for his innovations in choral poetry — there are good reasons to believe that his lyrical narratives were composed for solo performance.
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The Suda in yet another entry refers to the fact, now verified by Papyrus fragments, that Stesichorus composed verses in units of three stanzas, a format later followed by poets such as Bacchylides and Pindar.
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Greatness of Stesichorus' genius is shown among other things by his subject-matter: he sings of the most important wars and the most famous commanders and sustains on his lyre the weight of epic poetry.
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Possibly Stesichorus was even more Homeric than ancient commentators realized – they had assumed that he composed verses for performance by choirs but a poem such as the Geryoneis included some 1500 lines and it probably required about four hours to perform – longer than a chorus might reasonably be expected to dance.
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Homeric qualities of Stesichorus' poetry are demonstrated in a fragment of his poem Geryoneis describing the death of the monster Geryon.
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Stesichorus adapted the simile to restore Death's ugliness while still retaining the poignancy of the moment:.
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