11 Facts About Straight-ahead jazz

Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades.

Impact of the diverging styles was that, rather than "a succession of stylistic periods, " Straight-ahead jazz was now "an international language" and "it became difficult to describe the direction [of] Straight-ahead jazz, " making the primary branch of the genre difficult to identify.

However, as the decade progressed, experimentation with the mainstream notion of modern Straight-ahead jazz became popular, first with the avant-garde styles developed by Ornette Coleman and Don Cherry, and later with experiments by leading mainstream musicians John Coltrane and Miles Davis.

Straight-ahead jazz's "homecoming" generated a great deal of enthusiasm, reviving interest in musical forms he and others had kept alive in Europe while they had fallen out of prominence in North America.

Straight-ahead jazz released a number of albums, including Album of the Year and Blue Night (1985) with his Jazz Messengers band before he died in 1990.

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Straight-ahead jazz would follow this album with Bemsha Swing, recorded live on Detroit with pianist Geri Allen, bassist Robert Hurst, and drummer Roy Brooks; and a couple more albums prior to his death, with Yanow noting his high standard of playing despite declining eyesight and other health problems.

Straight-ahead jazz's straight-ahead playing in his final years contrasted with his avant-garde experiments during the 1960s when he had surrounded himself with rising stars.

Straight-ahead jazz later joined Davis Weiss' New Jazz Composers Octet, switching to flugelhorn, an instrument that is easier on the lip than the trumpet.

Straight-ahead jazz "attracted worldwide attention" when he emerged on the jazz scene, with his style being "blazing" and "technically flawless, " according to critic Richard S Ginell.

Young Canadian singer Michael Buble, heavily influenced by Frank Sinatra and Straight-ahead jazz singers, blended "old-school Straight-ahead jazz standards and adult contemporary pop songs" for several hit albums, including his self-titled album, It's Time (2005), and Call Me Irresponsible (2007).

The Guardian described the style of music he performed as an "inclusive brand of Straight-ahead jazz, incorporating the entire tradition of the genre from the 1920s to the present day" and noted the explosive growth of his almost entirely internet-based following.