16 Facts About Street photography

Street photography, sometimes called candid photography, is photography conducted for art or enquiry that features unmediated chance encounters and random incidents within public places.

Street photography can focus on people and their behavior in public, thereby recording people's history.

The existence of services like Google Street View, recording public space at a massive scale, and the burgeoning trend of self-photography, further complicate ethical issues reflected in attitudes to street photography.

Much of what is regarded, stylistically and subjectively, as definitive street photography was made in the era spanning the end of the 19th century through to the late 1970s, a period which saw the emergence of portable cameras that enabled candid photography in public places.

Street photography's feet were compelled, of course, to be stationary for some time, one being on the box of the boot black, and the other on the ground.

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Street photography did photograph some workers, but people were not his main interest.

Street photography formed the major content of two exhibitions at the Museum of Modern Art in New York curated by Edward Steichen, Five French Photographers: Brassai; Cartier-Bresson, Doisneau, Ronis, Izis in 1951 to 1952, and Post-war European Photography in 1953, which exported the concept of street photography internationally.

Street photography's book inspired successive generations of photographers to make candid photographs in public places before this approach per se came to be considered declasse in the aesthetics of postmodernism.

Street photography's documented the transitory chalk drawings that were part of children's street culture in New York at the time, as well as the children who made them.

In July 1939, MoMA's new Street photography section included Levitt's work in its inaugural exhibition.

The New York school of Street photography was not a formal institution, but rather comprised groups of photographers in the mid-20th century based in New York City.

Conversely, street photography is reactive and disinterested by nature and motivated by curiosity or creative inquiry, allowing it to deliver a relatively neutral depiction of the world that mirrors society, "unmanipulated" and with usually unaware subjects.

Street photography is generally seen as unposed and candid, but there are a few street photographers who will interact with strangers on the streets and take their portraits.

Production, publication and non-commercial sale of street photography is legal in Greece, without the need to have the consent of the shown person or persons.

Exception is made for photos of famous people in public places and news Street photography by registered news media outlets where favour is given to the public right to know.

Example, the case Nussenzweig v DiCorcia established that taking, publishing and selling street photography is legal, even without the consent of the person being portrayed, because photography is protected as free speech and art by the First Amendment.