25 Facts About Classical guitar

Classical guitar is a member of the guitar family used in classical music and other styles.

The flamenco guitar derives from the modern classical, but has differences in material, construction and sound.

Today's modern classical guitar was established by the late designs of the 19th-century Spanish luthier, Antonio Torres Jurado.

Classical guitar has a long history and one is able to distinguish various:.

The reason is that the baroque Classical guitar used courses, which are two strings close together, that are plucked together.

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Additionally, the sound aesthetic of the baroque guitar is very different from modern classical type guitars, as is shown below.

Composers of the Renaissance period who wrote for four-course Classical guitar include Alonso Mudarra, Miguel de Fuenllana, Adrian Le Roy, Gregoire Brayssing, Guillaume de Morlaye, and Simon Gorlier.

Some well known composers of the Baroque Classical guitar were Gaspar Sanz, Robert de Visee, Francesco Corbetta and Santiago de Murcia.

Hector Berlioz studied the Classical guitar as a teenager; Franz Schubert owned at least two and wrote for the instrument; and Ludwig van Beethoven, after hearing Giuliani play, commented the instrument was "a miniature orchestra in itself".

Classical guitar once wrote: "I love the guitar for its harmony; it is my constant companion in all my travels".

Segovia's tour of South America revitalized public interest in the Classical guitar and helped the Classical guitar music of Manuel Ponce and Heitor Villa-Lobos reach a wider audience.

Classical guitar repertoire includes modern contemporary works – sometimes termed "New Music" – such as Elliott Carter's Changes, Cristobal Halffter's Codex I, Luciano Berio's Sequenza XI, Maurizio Pisati's Sette Studi, Maurice Ohana's Si Le Jour Parait, Sylvano Bussotti's Rara, Ernst Krenek's Suite fur Guitarre allein, Op.

The baroque Classical guitar quickly superseded the vihuela in popularity in Spain, France and Italy and Italian players and composers became prominent.

The modern classical guitar replaced an older form for the accompaniment of song and dance called flamenco, and a modified version, known as the flamenco guitar, was created.

Albeniz and Granados were central to this movement; their evocation of the Classical guitar was so successful that their compositions have been absorbed into the standard Classical guitar repertoire.

Nevertheless, some Classical guitar concertos are nowadays widely known and popular, especially Joaquin Rodrigo's Concierto de Aranjuez and Fantasia para un gentilhombre.

Composers, who wrote famous Classical guitar concertos are: Antonio Vivaldi, Mauro Giuliani, Heitor Villa-Lobos, Mario Castelnuovo-Tedesco, Manuel Ponce, Leo Brouwer, Lennox Berkeley and Malcolm Arnold.

Classical guitar's frets, fretboard, tuners, headstock, all attached to a long wooden extension, collectively constitute its neck.

The Classical guitar top, or soundboard, is a finely crafted and engineered element often made of spruce or red cedar.

Some contemporary Classical guitar makers have introduced new construction concepts such as "double-top" consisting of two extra-thin wooden plates separated by Nomex, or carbon-fiber reinforced lattice – pattern bracing.

Body of a classical guitar is a resonating chamber that projects the vibrations of the body through a sound hole, allowing the acoustic guitar to be heard without amplification.

Top, back and sides of a classical guitar body are very thin, so a flexible piece of wood called kerfing is glued into the corners where the rim meets the top and back.

Main purpose of the bridge on a classical guitar is to transfer the vibration from the strings to the soundboard, which vibrates the air inside of the guitar, thereby amplifying the sound produced by the strings.

Explanation for this "asymmetrical" tuning is probably that the Classical guitar originated as a 4-string instrument with a maj 3rd between the 2nd and 3rd strings, and it only became a 6-string instrument by gradual addition of a 5th string and then a 6th string tuned a 4th apart:.

The tuning of the four-course guitar was moved up by a tone and toward the end of the 16th century, five-course instruments were in use with an added lower string tuned to A This produced A-D-G-B-E, one of a wide number of variant tunings of the period.

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