German Expressionism consisted of several related creative movements in Germany before the First World War that reached a peak in Berlin during the 1920s.
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International audiences and appreciation for German cinema began to grow as anti-German sentiment decreased following the end of World War I By the time its 1916 ban on imports on foreign film was lifted, Germany had become a part of the international film industry.
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Later films often categorized as part of the brief history of German Expressionism include Metropolis and M (1931), both directed by Fritz Lang.
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However, the themes of German Expressionism were integrated into later films of the 1920s and 1930s, resulting in an artistic control over the placement of scenery, light, etc.
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These German directors found U S movie studios willing to embrace them, and several German directors and cameramen flourished there, producing a repertoire of Hollywood films that had a profound effect.
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German Expressionism would continue to influence Hitchcock throughout his career.
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Stylistic elements taken from German Expressionism are common today in films that need not reference contemporary realism, such as science fiction films.
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German Expressionism has been described as focusing on the “power of spectacles” and offering audiences “a kind of metonymic image of their own situation”.
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The UFA financially collapsed and German Expressionism studios began to deal with Italian studios which led to their influence in style of horror and films noir.
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For Eisner, similarly, German Expressionism Expressionist cinema is a visual manifestation of Romantic ideals turned to dark and proto-totalitarian ends.
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