Lamia, in ancient Greek mythology, was a child-eating monster and, in later tradition, was regarded as a type of night-haunting spirit .
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Lamia, in ancient Greek mythology, was a child-eating monster and, in later tradition, was regarded as a type of night-haunting spirit .
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In previous centuries, Lamia was used in Greece as a bogeyman to frighten children into obedience, similar to the way parents in Spain, Portugal and Latin America used the Coco.
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Scholiast to Aristophanes claimed that Lamia's name derived from her having a large throat or gullet .
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Lamia's became disfigured from the torment, transforming into a terrifying being who hunted and killed the children of others.
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Lamia was the daughter born between King Belus of Egypt and Lybie, according to one source.
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Diodorus, Duris of Samos and other sources which comprise the sources for building an "archetypal" picture of Lamia do not designate her as a dragoness, or give her explicit serpentine descriptions.
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Renaissance writer Angelo Poliziano wrote Lamia, a philosophical work whose title is a disparaging reference to his opponents who dabble in philosophy without competence.
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John Keats's Lamia in his Lamia and Other Poems is a reworking of the tale in Apollonius's biography by Philostratus, described above.
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English composer Dorothy Howell composed a tone poem Lamia which was played repeatedly to great acclaim under its dedicatee Sir Henry Wood at the London Promenade concerts in the 1920s.
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Lamia is the main antagonist in the 2009 horror movie Drag Me to Hell voiced by Art Kimbro.
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Lamia appears in Rick Riordan's The Demigod Diaries, appearing in its fourth short story The Son of Magic.
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Lamia's is depicted as having glowing green eyes with serpentine slits, shriveled-up hands with lizard-like claws on them, and crocodile-like teeth.
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In modern Greek folk tradition, the Lamia has survived and retained many of her traditional attributes.
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In Renaissance emblems, Lamia has the body of a serpent and the breasts and head of a woman, like the image of hypocrisy.
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