Longchen Rabjam Drime Ozer, commonly abbreviated to Longchenpa was a Tibetan scholar-yogi of the Nyingma school of Tibetan Buddhism.
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Longchen Rabjam Drime Ozer, commonly abbreviated to Longchenpa was a Tibetan scholar-yogi of the Nyingma school of Tibetan Buddhism.
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Longchenpa is known for his voluminous writings, including the highly influential Seven Treasuries and his compilation of Dzogchen scripture and commentaries, the Nyingthig Yabshi.
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Longchenpa was a terton and some of his works, like the Khadro Yangtig, are considered terma.
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Longchenpa's work unified the various Dzogchen traditions of his time into a single system.
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Longchenpa is known for his skill as a poet and his works are written in a unique literary voice which was widely admired and imitated by later Nyingma figures.
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Longchenpa was born to the Nyingma lama Lopon Tsensung, a descendent of the Rog clan.
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Longchenpa's mother died when he was nine and his father died two years after.
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Longchenpa was an avid student with a great capacity for memory.
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In 1327, Longchenpa moved to the Kadam monastic college of Sangpu Neutok, the most esteemed center of learning in Tibet at the time.
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Longchenpa stayed for six years at Sangpu, mastering the entire scholastic curriculum of logical-epistemology, yogacara and madhyamaka as well as poetics.
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Longchenpa studied under various teachers, including the famous Third Karmapa Rangjung Dorje, from whom he received the six yogas of the Kalacakra and the six dharmas of Naropa.
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Longchenpa left Sangpu to practice in the solitude of the mountains, after coming into conflict with certain Khampa scholars.
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Longchenpa accompanied Kumaradza and his disciples for two years, during which time he received all of Rigdzin Kumaradza's transmissions.
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Longchenpa was permitted to teach after a three year period of retreat in mChims phu, not far from Samye.
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Longchenpa is said to have had various visions of different deities, including Padmasambhava, black Vajravarahi, Guru drag po, and the goddess Adamantine Turquoise Lamp.
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Longchenpa then gathered a group of eight disciplines in order to initiate them into the Dzogchen teachings.
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Longchenpa embarked on a project of compiling the main texts of the Vima Nyingthig and the Khandro Nyingthig along with a series of his own commentaries on these works.
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In 1350, at the age of 42, Longchenpa had a vision of Vimalamitra which asked him to restore the temple of Zhai Lhakhang.
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Longchenpa founded a series of small monasteries in Bhutan, including Tharpa Ling, his main residence.
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Longchenpa is widely considered the single most important writer on Dzogchen teachings.
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Longchenpa was a prolific author and scholar, as well as a compiler of Dzogchen texts.
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Longchenpa describes this fundamental basis as being primordially pure and empty while having the nature of a subtle self-arising awareness.
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Longchenpa brought Dzogchen thought more closely into dialogue with scholastic Buddhist philosophy and the Sarma tantric systems which were normative in the Tibetan academic institutions of his time.
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Furthermore, Longchenpa defended the validity of Dzogchen as a stand alone system of formless and effortless perfection stage practice, which did not require preliminary practice of the generation stage of deity yoga nor standard tantric initiation rituals.
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Longchenpa retains the emphasis on the body's center and light-experiences, yet undercuts the tone of control and manipulation.
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Longchenpa compiled various Dzogchen Menngagde scriptures into the collection known as the Nyingthig Yabshi.
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Longchenpa composed a supplementary commentary to the Nyingthig Yabshi, called the Zabmo Yangtig.
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