Pietro Antonio Domenico Trapassi, better known by his pseudonym of Pietro Metastasio, was an Italian poet and librettist, considered the most important writer of opera seria libretti.
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Pietro Antonio Domenico Trapassi, better known by his pseudonym of Pietro Metastasio, was an Italian poet and librettist, considered the most important writer of opera seria libretti.
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Metastasio was born in Rome, where his father, Felice Trapassi, a native of Assisi, had taken service in the Corsican regiment of the papal forces.
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Gravina hellenized the boy's name Trapassi into Metastasio, and intended his adopted son to be a jurist like himself.
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Metastasio soon found himself competing with the most celebrated improvvisatori of his time in Italy.
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Metastasio decided to apply himself seriously to the work of his profession.
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Metastasio migrated to Naples, and entered the office of an eminent lawyer named Castagnola, who exercised severe control over his time and energies.
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Metastasio wrote "Gli orti esperidi", which was set to music by Nicola Porpora, and sung by Porpora's pupil, the castrato Farinelli, making a spectacular debut, it won the most enthusiastic applause.
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Metastasio wrote quickly and his plays were enhanced by being set to music and sung by the greatest singers of the day.
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Metastasio's took the whole Trapassi family – father, mother, brother, sisters – into her own house.
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Metastasio gained 300 scudi for each opera; this pay, though good, was precarious and he longed for some fixed engagement.
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Metastasio understood the technique of his peculiar art in its minutest details.
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Metastasio's had lost her husband, and had some while occupied the post of chief favourite to the emperor.
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Metastasio was ashamed of her and tired of her, and wrote dissuading her from the projected visit.
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Metastasio's seems to have set out from Rome, but died suddenly upon the road.
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Metastasio sank rapidly into the habits of old age; and, though he lived till the year 1782, he was very inactive.
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Language in Metastasio's hands is musical, lucid, and songlike, perhaps due to his experience as an improvisatory poet.
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Metastasio was an admirer of Torquato Tasso, Giambattista Marino, Giovanni Battista Guarini, and Ovid.
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